Bøger i Pantheon Graphic Library serien

"Author, illustrator, and translator Deena Mohamed presents a literary, feminist, Arab-centric graphic novel that marries magic and the socio-political realities of contemporary Egypt. Shubeik Lubeik--a fairytale rhyme meaning 'Your Wish is My Command' in Arabic--is the story of three characters navigating a world where wishes are literally for sale; mired in bureaucracy and the familiar prejudices of our world, the more expensive the wish, the more powerful and therefore the more likely to work as intended"--

***FINALIST FOR THE 2020 PEN/JEAN STEIN BOOK AWARD****** NEW YORK TIMES 100 NOTABLE BOOKS OF THE YEAR ***A major graphic novel event more than 18 years in progress: part one of the ongoing bifurcated masterwork from the brilliant and beloved author of Jimmy Corrigan: The Smartest Kid on Earth and Building Stories.Rusty Brown is a fully interactive, full-color articulation of the time-space interrelationships of three complete consciousnesses in the first half of a single midwestern American day and the tiny piece of human grit about which they involuntarily orbit. A sprawling, special snowflake accumulation of the biggest themes and the smallest moments of life, Rusty Brown literately and literally aims at nothing less than the coalescence of one half of all of existence into a single museum-quality picture story, expertly arranged to present the most convincingly ineffable and empathetic illusion of experience for both life-curious readers and traditional fans of standard reality. From childhood to old age, no frozen plotline is left unthawed in the entangled stories of a child who awakens without superpowers, a teen who matures into a paternal despot, a father who stores his emotional regrets on the surface of Mars and a late-middle-aged woman who seeks the love of only one other person on planet Earth.

"Set in and around 1971 in Los Angeles, [this book] follows an immigrant film editor named Seymour who is desperate to make his own movies. But without money or clout, he has no choice but to spend his days slumming it for the worst and most exploitative production company in town. When Seymour is given the chance to make a film of his own, his unbending principles and relentless drive violently clash with an industry that rewards everything but principles and drive"--

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

"Portions of this book originally appeared, in different form, in Tablet in 2017 and in The Believer in Spring 2018 and Summer 2019"--Copyright page.

"Meet little Maurice Vellekoop, the youngest of five children raised by Dutch immigrants in the 1970s in a middle class suburb of Toronto. He loves watching Cher and Carol Burnett on TV, making clothes for his best friend's Barbie dolls, and helping his mum with her hair salon which she runs out of the basement of the house. In short: he is really, really gay. Which is a huge problem, because his family is part of the Christian Reformed Church, a strict Calvinist sect, which is not accepting of homosexuality to say the least. We see him participating in weekly church services, catechism classes, going to Christian schools, his stint as a member of the Calvinist Cadet Corps. Vellekoop struggles through all of this, until he finally graduates high school and gets accepted into the Ontario College of Art and Design in 1982. It is there that his life truly changes, thanks in no small part to his taking a class called "Plays In Performance" taught by the wildly flamboyant and brilliant Paul Baker. Baker is the first "out" gay man Maurice has ever met, and the two soon become close friends. It is through witnessing Baker's functional relationship with his long-time partner Martin that Maurice finally starts to reconcile with himself and begin to accept who he actually is. But it's going to be a long, messy, difficult, and occasionally hilarious process. I'm So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist."--

Marjane Satrapi recounts her childhood and coming of age in Tehran during the Islamic Revolution, as well as her self-imposed exile from her native country, through comic strips that reflect how her own history is tied to the history of Iran.

"Over a hundred page-long comics from around the world, documenting humanity's retreat into COVID-19 lockdown and imagining our eventual, boisterous reemergence, from the founder of the Brooklyn Comic Arts festival and owner of beloved indie comic shop Desert Island. On April 1, 2020, the Instagram account of Desert Island, Brooklyn's celebrated alternative comics shop, put out a call. By then, the shop had shuttered indefinitely, and the world's major cities had locked down as the first wave of the COVID-19 pandemic took hold: 'We all need something positive to think about, and a lot of us have time on our hands, ' the post read. 'Who wants to make something?' Hundreds of short comics from over fifty countries poured into Desert Island's inbox. Some came from notable cartoonists. Most, astonishingly, came from amateur artists just looking for an outlet to create in the midst of tragedy--for a chance to join the rescue party that leads us out of isolation. Collected here are one hundred fifty notable entries from the Rescue Party project, capturing the loneliness and the surprising comforts of early lockdown; the mania of its middle days as the mind begins to fray; and the branching paths of humanity's future, as we re-enter a world wracked with injustice. Bracing, beautiful, and conspicuously optimistic, Rescue Party is part graphic diary, part time capsule, and part field guide: a grassroots project that tells the collective story of lockdown from a chorus of global voices, and charts a course to a more just future"--

"Originally published in France as Oáu est Anne Frank! by Calmann-Lâevy, Paris, in 2021."--Title page verso.

"Newly-out trans artist's assistant Sammie is invited to an old friend's bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean's international waters--think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie's old friends haven't quite gotten the message--as evidenced by their former best friend Adam asking them to be his 'best man.' Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom's pals--all met with zero pushpack from supposed 'nice guy' Adam. But also, they seem to be the only one who's noticed the mysterious cult that's also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god"--

"From the author of The Arab of the Future, comes the first book in a bestselling series of graphic novels that follow the ... true life of a real girl growing up in Paris. Every week, the comic book artist Riad Sattouf has a chat with his friend's 10-year old daughter Esther. She tells him about her life, her family, her school, her friends, her hopes, her dreams, and her fears. And then he creates a one-page comic strip based on what she says. This book is a collection of 156 of those strips, comprising the first three volumes as they appeared in Europe, spanning Esther's life from age 10 to 12"--

Persepolis: The Story of a ChildhoodWise, funny, and heartbreaking, Persepolis is Marjane Satrapi's memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane's child's-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.Persepolis 2: The Story of a ReturnHere is the continuation of Marjane Satrapi's fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane's status as an outsider both abroad and at home—it is raw, honest, and incredibly illuminating.

In Persepolis, heralded by the Los Angeles Times as "one of the freshest and most original memoirs of our day," Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up-here compounded by Marjane's status as an outsider both abroad and at home-it is raw, honest, and incredibly illuminating.

Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you've got it, that's it. There's no turning back.As we inhabit the heads of several key characters — some kids who have it, some who don't, some who are about to get it — what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.And then the murders start.As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin...

Meet David Boring: a nineteen-year-old security guard with a tortured inner life and an obsessive nature. When he meets the girl of his dreams, things begin to go awry: what seems too good to be true apparently is. And what seems truest in Boring's life is that, given the right set of circumstances (in this case, an orgiastic cascade of vengeance, humiliation and murder) the primal nature of humankind will come inexorably to the fore."Boring finds love with a mysterious woman named Wanda, loses her and sort of finds her again. He also gets shot in the head (twice) and stranded on an island with his brutish family. Meanwhile, the world may or may not be ending soon. And did I mention that much of this is hilariously funny?" -- Time

This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan: The Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord."-- The New York TimesArt Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets.Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal), Maus is considered "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art-widely hailed as the greatest graphic novel ever written-Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

The long, strange trip that began in X'ed Out and continued in The Hive reaches its mind-bending, heartbreaking end, but not before Doug is forced to deal with the lie he's been telling himself since the beginning. In this concluding volume, nightmarish dreams evolve into an even more dreadful reality...(With full-color illustrations throughout.)

A mesmerizing coming-of-age and coming-out graphic novel by the genius writer-artist of the Eisner Award–winning breakout hit My Brother’s HusbandSet in contemporary suburban Japan, Our Colors is the story of Sora Itoda: a sixteen-year-old aspiring painter who experiences his world in synesthetic hues of blues and reds, governed by the emotional turbulence of being a teenager. He wants to live honestly as a young gay man in high school, but that is still not acceptable in Japanese society. His best friend and childhood confidant is Nao, a young woman whom everyone thinks is (or should be) his girlfriend; and it would be the easiest thing to play along—she knows he is gay but knows, too, how hard it is to live one’s truth in their situation. Sora’s world changes forever when he meets Mr. Amamiya, a middle-aged gentleman who is the owner and proprietor of a local coffee shop, and who is completely, unapologetically out as a gay man. A mentorship and friendship ensues, as Sora comes out to him and agrees to paint a mural in the shop, and Mr. Amamiya counsels him (platonically) about how to deal with who he is. But it won’t be easy. Mr. Amamiya paid a high price for his freedom of identity, and when a figure from his past suddenly appears, it becomes a prime example of just how complicated life can be.

***WINNER OF THE 2018 EISNER AWARD FOR BEST U.S. EDITION OF INTERNATIONAL MATERIAL - ASIA***Yaichi is a work-at-home suburban dad in contemporary Tokyo; formerly married to Natsuki and father to their young daughter, Kana. Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.(Please note: This book is a traditional work of manga, and reads back to front and right to left.)