Bøger i Palgrave Studies in Adaptation and Visual Culture serien

Film nonetheless provides the central focus, with analysis of both the corpus as a whole-from Dr. No to Spectre-and of particular films, from popular and much-discussed movies such as Goldfinger and Skyfall to comparatively under-examined texts such as the 1967 Casino Royale and A View to a Kill.

This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarova (Vlacil 1967), and The Joke (Jires 1969).

This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field.

This book features a cutting edge approach to the study of film adaptations of literature for children and young people, and the narratives about childhood those adaptations enact.

This book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations-such as novelization, illustration, literary maps, pop-up books, and ekphrasis.

This book explores the intersection between adaptation studies and what James F. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts.

Furthermore, this book examines neo-Victorianism's relationship with postfeminist media culture and offers an analysis of the politics behind onscreen treatment of Victorian gender roles, family structures, sexuality, and colonial space.

With a particular focus on the serial narrative form, and with case studies that include Penny Dreadful, Fargo, The Night Of and Orange is the New Black, this study is essential reading for anyone who is interested in the complex interplay between television studies and adaptation studies.

The book includes discussion of a wide variety of texts, including opera, classic film, genre fiction, documentary, musicals, literary fiction, low-budget horror, camp classics, and experimental texts, providing a comprehensive and interdisciplinary introduction to the myriad ways in which queer and adaptation overlap.