Bøger i North Carolina Studies in the Romance Languages and Literatures serien

This study seeks to demonstrate an influential relationship between Moliere's classical reading and his character, Tartuffe. The work is divided into five sections: Introduction, The Satiric Element in "Tartuffe," Moliere's "Tartuffe," An Interpretation Based on Significant Parallels with the Traditions in Roman Satiric Literature, and Conclusion.

Volume 176 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 177 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 178 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 180 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 183 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 184 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 186 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 187 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 188 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 189 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 190 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 191 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 195 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 196 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 197 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 200 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 202 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 206 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 207 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 211 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 214 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 215 in the North Carolina Studies in the Romance Languages and Literatures series.

Volume 219 in the North Carolina Studies in the Romance Languages and Literatures series.

The years 1930 to 1950 were a period of considerable activity in the Argentine novel, in great part as a reaction and response to the military coup of September 1930 that inaugurated the "Infamous Decade" of Argentine social history. In this work, David Foster offers a reassessment of social realism in the Argentine literature of the time.

Offers a critical assessment of an important yet overlooked segment in the socio-cultural history of the interwar period. This book examines in detail the function, range, and implications of "sacred sociology" as practiced by the members of the 1937 College de Sociologie - Bataille, Caillois, and Monnerot.

Volume 231 in the North Carolina Studies in the Romance Languages and Literatures series.

Alfonso Hordognez was the first translator of the Spanish classic Celestina. The antiquity and accuracy of his translation make it an important research tool, particularly in the effort to establish a critical edition of the classic. Kish has utilized Hordognez's work in this new Italian translation.

Contents: Pregnanza di significati e carattere della Vita Nuova; Vide cor tuum; Simulacra; Ego tanquam; Considerazioni sullo svolgimento di Amore nei capitoli XIII-XVIII della Vita Nuova e sul significato d'ispirazione poetica con riferimento al canto XXIV del Purgatorio; Donne ch'avete intelletto d'amore; Che fai? Non sai novella? morta e la donna tua, ch'era si bella; che Amore non e per se si come sustanzia, ma e uno accidente in sustanzia; Quomodo sedet sola civitas plena populo! facta est quasi vidua domina gentium; Li occhi dolenti per pieta del core; Allora vidi una gentile donna giovane e bella molto; Alcune considerazioni conclusive sulla Vita Nuova e sull'inserirsi dell'episodio della 'donna gentile' nella dinamica della narrazione.

Illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula.