Bøger i No Series serien

Gustav Klimt, one of the great painters of fin de siècle Austria?and the subject of Helen Mirren's latest film, Woman in Gold?takes center stage in this passionate and atmospheric debut novel, which reimagines the tumultuous relationship between the Viennese painter and Emilie Flöge, the woman who posed for his masterpiece The Kiss, and whose name he uttered with his dying breath.Vienna in 1886 was a city of elegant cafés, grand opera houses, and a thriving and adventurous artistic community. It is here where the twelve-year-old Emilie meets the controversial libertine and painter. Hired by her bourgeois father for basic drawing lessons, Klimt introduces Emilie to a subculture of dissolute artists, wanton models, and decadent patrons that both terrifies and inspires her. The Painted Kiss follows Emilie as she blossoms from a naïve young girl to one of Europe's most exclusive couturiers?and Klimt's most beloved model and mistress. A provocative love story that brings to life Vienna's cultural milieu, The Painted Kiss is as compelling as a work by Klimt himself.

Who Does She Think She Is? is a richly evocative multigenerational story of three irrepressible women from the bestselling author of Good Hair and The Itch.Aisha Branch is in the midst of planning her elaborate wedding to a White man from old-line wealth when the unthinkable happens?she falls for another man, hard. All the drama stirs up old feelings in her mother and grandmother, and as Aisha confronts a painful dilemma, the three Branch women take turns telling their own stories, reflecting separately on their lives and relationships. With her signature dry wit, quietly resonant insight and sharp yet compassionate eye, Benilde Little deftly explores one family's expectations, anxieties, and abiding love.

Mark Twain, the American comic genius who portrayed, named, and in part exemplified America's ?Gilded Age,? comes alive in Justin Kaplan's extraordinary biography.With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit. Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was ?sole, incomparable, the Lincoln of our literature.?