Bøger i New Comparisons in World Literature serien

This book links world-literary studies with anthropology and ethnography. It shows how ethnographic narratives can represent a compelling point of departure for world-literary explorations. The volume compares the travel writing and fiction of Robert Louis Stevenson and Rudyard Kipling as colonial ethnographic narratives; the militant writings of Carlo Levi and Mahasweta Devi; and the travelogues and ethnographic fiction of Amitav Ghosh and the literary journalism of Frank Westerman. Each of these readings focuses on a set of social, political and historical circumstances and relies on a dialogue with anthropological theory and history. This book demonstrates how imperialism, colonialism, capitalism and ecology are interdependent, and contributes to methodological debates within both anthropology and world-literary studies.

The Worlding of the South African Novel develops from something of a paradox: that despite momentous political transition from apartheid to democracy, little in South Africa's socio-economic reality has actually changed.

This book examines how contemporary global novels by Salman Rushdie, David Mitchell, Rana Dasgupta and Rachel Kushner have evolved new aesthetics to represent global economic and ecological crises.

Drawing on a Marxist concept of world literature, this book is a study of the manipulations of time in contemporary anglophone fiction from Africa and South Asia.

This book asks what reading means in India, Nigeria, the UK, and Cuba, through close readings of literary texts from postcolonial, spatial, architectural, cartographic, materialist, trauma, and gender perspectives.

Located at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by commodity frontiers.

This book explores multilingualism as an imaginative articulation of the experience of modernity in twentieth-century Spanish and American literature.

This book is a transnational study of how contemporary fiction writers from the United States and Canada to Nigeria to India to Dubai have conceptualized the emergent social spaces of the diverse corners of the neoliberal world system.

This book sets the grounds for a new approach exploring cultural mediators as key figures in literary and cultural history.

This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world.

Far from suggesting that we replace theories of an omnipresent 'end of history' with a traditional, single, diachronic timeline, this book encourages the development of such a timeline's rigorous inverse: a synchronic, multi-faceted and multi-temporal history of the contemporary in literature, and thus of contemporary global literatures.

Using a world-systems perspective for cultural studies, the essays in this collection examine cultural productions from across the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.

Drawing principally upon four authors - Joseph Conrad, Jean Rhys, Wilson Harris and Junot Diaz - this study argues that a close engagement with the novel reveals a series of ways to apprehend, depict and theorise various kinds of language diversity.

Based in extensive experience in collaborative, multilingual, interdisciplinary networks, the book synthesizes existing theoretical scholarship, provides original case studies of world-historical Victorian and modern writers, and articulates a new interdisciplinary methodology for literary studies in a global context.

This book sets the grounds for a new approach exploring cultural mediators as key figures in literary and cultural history.

Far from suggesting that we replace theories of an omnipresent 'end of history' with a traditional, single, diachronic timeline, this book encourages the development of such a timeline's rigorous inverse: a synchronic, multi-faceted and multi-temporal history of the contemporary in literature, and thus of contemporary global literatures.

This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world.