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In Muses IV, 'Magic Unisons', as the title indicates, the word magic explains best those moments, when during the process of composing word sequences that gradually become verses and stanzas, and could lead to a whole cycle of compositions, like in the 'Chants of a Traveling Bard'.For love, in 'Magic Unisons', transferred into many shades of enjoyment and happy feelings, one's Muses certainly stimulate the poet with their sensual impulses: This cannot be stored like goods, but the traces of those happy moments are still embedded in the poet's soul and the souls of all people engaged in creative work.Fascinating are the times one spends looking through one's creative output of one year that usually happens at the end of it when the mood is influenced by dark ominous cloud formations, snowfall that reflects the dusky light, fine stringing rain, unexpected storms, and foggy mystical mornings. Indeed, magical unisons are unique.

The poet had been waking to fine experiences of his conscious being, whereby the transition area, between the subconscious and the conscious levels, opened up a garden of earthly and spiritual delights, as a designed stage upon a stage by one of his favourite Muses, he calls his 'A-Muse'. So, waking in love seemed to fit the description. Into this garden, he'd commute daily and would meet and communicate with artists of fame and also with talented contemporaries, while his Muses danced in a traditional sensual roundabout in and out of his room, high above the rooftops of Vienna,