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With this masterly and original work, Bellow: A Biography, National Book Award nominee James Atlas gives the first definitive account of the Nobel Prize-winning author's turbulent personal and professional life, as it unfolded against the background of twentieth-century events—the Depression, World War II, the upheavals of the sixties—and amid all the complexities of the Jewish-immigrant experience in America, which generated a vibrant new literature.Drawing upon a vast body of original research, including Bellow's extensive correspondence with Ralph Ellison, Delmore Schwartz, John Berryman, Robert Penn Warren, John Cheever, and many other luminaries of the twentieth-century literary community, Atlas weaves a rich and revealing portrait of one of the most talented and enigmatic figures in American intellectual history.Detailing Bellow's volatile marriages and numerous tempestuous relation-ships with women, publishers, and friends, Bellow: A Biography is a magnificent chronicle of one of the premier writers in the English language, whose prize-winning works include Herzog, The Adventures of Augie March, and, most recently, Ravelstein.

Selected by the Modern Library as one of the 100 best novels of all timeWhen she was only twenty-three, Carson McCullers's first novel created a literary sensation. She was very special, one of America's superlative writers who conjures up a vision of existence as terrible as it is real, who takes us on shattering voyages into the depths of the spiritual isolation that underlies the human condition. This novel is the work of a supreme artist, Carson McCullers's enduring masterpiece. The heroine is the strange young girl, Mick Kelly. The setting is a small Southern town, the cosmos universal and eternal. The characters are the damned, the voiceless, the rejected. Some fight their loneliness with violence and depravity, some with sex or drink, and some-like Mick-with a quiet, intensely personal search for beauty.

Selected by the Modern Library as one of the 100 best novels of all timeConsidered the greatest 20th century novel written in English, in this edition Walter Gabler uncovers previously unseen text. It is a disillusioned study of estrangement, paralysis and the disintegration of society.

Back in print after fifty yearsOld Herbaceous is a classic British novel of the garden, with a title character as outsized and unforgettable as P. G. Wodehouse's immortal butler, Jeeves. Born at the dusk of the Victorian era, Bert Pinnegar, an awkward orphan child with one leg a tad longer than the other, rises from inauspicious schoolboy days spent picking wildflowers and dodging angry farmers to become the legendary head gardener "Old Herbaceous,” the most esteemed flower-show judge in the county and a famed horticultural wizard capable of producing dazzling April strawberries from the greenhouse and the exact morning glories his Lady spies on the French Riviera, "so blue, so blue it positively hurts.” Sprinkled with nuggets of gardening wisdom, Old Herbaceous is a witty comic portrait of the most archetypal—and crotchety—head gardener ever to plant a row of bulbs at a British country house.This Modern Library edition is published with a new Introduction byPenelope Hobhouse, a renowned garden designer and lecturer and the author of numerous gardening books.

Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson's growth-a richly contextualized story of genius in the process of formation and then in the act of overwhelming production.Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson's own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson's story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father's political isolation after the Whig Party's collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice.The definitive treatment of Dickinson's life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.

First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of "The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.

A New York Times Notable Book • Finalist for the PEN/Martha Albrand Award for First Nonfiction"Highly readable biography . . . The woman who emerges from these pages is a complex figure-heroic, driven . . . and entirely human."-Richard Bernstein, The New York TimesPassionate Nomad captures the momentous life and times of Freya Stark with precision, compassion, and marvelous detail. Hailed by The Times of London as "the last of the Romantic Travellers" upon her death in 1993, Freya Stark combined unflappable bravery, formidable charm, fearsome intellect, and ferocious ambition to become the twentieth century's best-known woman traveler. Digging beneath the mythology, Geniesse uncovers a complex, controversial, and quixotic woman whose indomitable spirit was forged by contradictions: a child of privilege, Stark grew up in near poverty; yearning for formal education, she was largely self-taught; longing for love, she consistently focused on the wrong men. Despite these hardships, Stark's astonishing career spanned more than sixty years, during which she produced twenty-two books that sealed her reputation as a consummate woman of letters. This edition includes a new Epilogue by the author that, citing newly discovered evidence, calls into question the circumstances of Stark's birth and adds new insight into this adventurous and lively personality.Praise for Passionate Nomad"Passionate Nomad is a work of nonfiction that reads and sings with the drama and lilt of a fine novel. The story of Freya Stark is stunning, inspiring, sad, funny, unique, and moving. Jane Fletcher Geniesse tells it straight, but with a care for delicious detail and a sympathy for the characters that make this a truly special book."-Jim Lehrer"Passionate Nomad supplies a fascinating individual thread in the tapestry of twentiethcentury Middle Eastern history. . . . [Geniesse] has achieved, in the end, an admirable focus, at once critical and sympathetic. . . . For all Stark's unresolved contradictions, . . . her distinction as a latter-day woman of letters survives."-The New York Times Book Review "Compulsively readable . . . [Geniesse] has done a thorough job re-creating the life of a woman many consider to be the last of the great romantic travelers."-The Plain Dealer (Cleveland)

Introduction by China Miéville Long acknowledged as a master of nightmarish visions, H. P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries-and their encounter with untold menace in the ruins of a lost civilization-is a milestone of macabre literature. This exclusive new edition, presents Lovecraft's masterpiece in fully restored form, and includes his acclaimed scholarly essay "Supernatural Horror in Literature." This is essential reading for every devotee of classic terror.

"[Zamyatin's] intuitive grasp of the irrational side of totalitarianism- human sacrifice, cruelty as an end in itself-makes [We] superior to Huxley's [Brave New World]."-George OrwellTranslated by Natasha Randall • Foreword by Bruce Sterling Written in 1921, We is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering-and now available in a powerful new translation-We is both a rediscovered classic and a work of tremendous relevance to our own times.

Chosen by BusinessWeek as One of the Top Ten Business Books of the YearWith apologies to Hegel, Marx, and Lenin, the basic unit of modern society is neither the state, nor the commune, nor the party; it is the company. From this bold premise, John Micklethwait and Adrian Wooldridge chart the rise of one of history's great catalysts for good and evil. In a "fast-paced and well-written” work (Forbes), the authors reveal how innovations such as limitations on liability have permitted companies to rival religions and even states in importance, governing the flow of wealth and controlling human affairs-all while being largely exempt from the rules that govern our lives.The Company is that rare, remarkable book that fills a major gap we scarcely knew existed. With it, we are better able to make sense of the past four centuries, as well as the events of today.

Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a "magnificently crafted story . . . brimming with wisdom" by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

Selected by the Modern Library as one of the 100 best novels of all timeFrom the Modern Library's new set of beautifully repackaged hardcover classics by William Faulkner-also available are Snopes, As I Lay Dying, Light in August, Absalom, Absalom!, and Selected Short StoriesThe Sound and the Fury, first published in 1929, is perhaps William Faulkner's greatest book. It was immediately praised for its innovative narrative technique, and comparisons were made with Joyce and Dostoyevsky, but it did not receive popular acclaim until the late forties, shortly before Faulkner received the Nobel Prize for Literature. The novel reveals the story of the disintegration of the Compson family, doomed inhabitants of Faulkner's mythical Yoknapatawpha County, through the interior monologues of the idiot Benjy and his brothers, Quentin and Jason. Featuring a new Foreword by Marilynne Robinson, this edition follows the text corrected in 1984 by Faulkner expert Noel Polk and corresponds as closely as possible to the author's original intentions. Included also is the Appendix that Faulkner wrote for The Portable Faulkner in 1946, which he called the "key to the whole book."

In this book, the author of "Seven Gothic Tales gives a true account of her life on her plantation in Kenya. She tells with classic simplicity of the ways of the country and the natives: of the beauty of the Ngong Hills and coffee trees in blossom: of her guests, from the Prince of Wales to Knudsen, the old charcoal burner, who visited her: of primitive festivals: of big game that were her near neighbors--lions, rhinos, elephants, zebras, buffaloes--and of Lulu, the little gazelle who came to live with her, unbelievably ladylike and beautiful. The Random House colophon made its debut in February 1927 on the cover of a little pamphlet called "Announcement Number One." Bennett Cerf and Donald Klopfer, the company's founders, had acquired the Modern Library from publishers Boni and Liveright two years earlier. One day, their friend the illustrator Rockwell Kent stopped by their office. Cerf later recalled, "Rockwell was sitting at my desk facing Donald, and we were talking about doing a few books on the side, when suddenly I got an inspiration and said, 'I've got the name for our publishing house. We just said we were go-ing to publish a few books on the side at random. Let's call it Random House.' Donald liked the idea, and Rockwell Kent said, 'That's a great name. I'll draw your trademark.' So, sitting at my desk, he took a piece of paper and in five minutes drew Random House, which has been our colophon ever since." Throughout the years, the mission of Random House has remained consistent: to publish books of the highest quality, at random. We are proud to continue this tradition today. This edition is set from the first American edition of 1937 and commemorates theseventy-fifth anniversary of Random House.

Here is an extraordinary collection of the world's best literary espionage, selected by Alan Furst, a contemporary master of the genre. The Book of Spies brings us the aristocratic intrigues of The Scarlet Pimpernel, in which French emigres duel with Robespierre's secret service; the savage political realities of the 1930s in Eric Ambler's classic A Coffin for Dimitrios; the ordinary (well, almost) citizens of John le Carre's The Russia House, who are drawn into Cold War spy games; and the 1950s Vietnam of Graham Greene's The Quiet American, with its portrait of American idealism "and" duplicity. Drawing on acknowledged classics and rediscovered treasures, A Book of Spies delivers literate entertainment and excitement on every page.

When President Clinton sent Richard Holbrooke to Bosnia as America''s chief negotiator in late 1995, he took a gamble that would eventually redefine his presidency. But there was no saying then, at the height of the war, that Holbrooke''s mission would succeed. The odds were strongly against it.        As passionate as he was controversial, Holbrooke believed that the only way to bring peace to the Balkans was through a complex blend of American leadership, aggressive and creative diplomacy, and a willingness to use force, if necessary, in the cause for peace. This was not a universally popular view. Resistance was fierce within the United Nations and the chronically divided Contact Group, and in Washington, where many argued that the United States should not get more deeply involved. This book is Holbrooke''s gripping inside account of his mission, of the decisive months when, belatedly and reluctantly but ultimately decisively, the United States reasserted its moral authority and leadership and ended Europe''s worst war in over half a century. To End a War reveals many important new details of how America made this historic decision.        What George F. Kennan has called Holbrooke''s "heroic efforts" were shaped by the enormous tragedy with which the mission began, when three of his four team members were killed during their first attempt to reach Sarajevo. In Belgrade, Sarajevo, Zagreb, Paris, Athens, and Ankara, and throughout the dramatic roller-coaster ride at Dayton, he tirelessly imposed, cajoled, and threatened in the quest to stop the killing and forge a peace agreement. Holbrooke''s portraits of the key actors, from officials in the White House and the Élysée Palace to the leaders in the Balkans, are sharp and unforgiving. His explanation of how the United States was finally forced to intervene breaks important new ground, as does his discussion of the near disaster in the early period of the implementation of the Dayton agreement.        To End a War is a brilliant portrayal of high-wire, high-stakes diplomacy in one of the toughest negotiations of modern times. A classic account of the uses and misuses of American power, its lessons go far beyond the boundaries of the Balkans and provide a powerful argument for continued American leadership in the modern world.