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Mosses from an Old Manse is Nathaniel Hawthorne's second story collection, first published in 1846 in two volumes and featuring sketches and tales written over a span of more than twenty years, including such classics as "Young Goodman Brown,” "The Birthmark,” and "Rappaccini's Daughter.” Herman Melville deemed Hawthorne the American Shakespeare, and Henry James wrote that his early tales possess "the element of simple genius, the quality of imagination. That is the real charm of Hawthorne's writing—this purity and spontaneity and naturalness of fancy.”

While on a sailing trip in the Baltic Sea, two young adventurers-turned-spies uncover a secret German plot to invade England. Written by Childers—who served in the Royal Navy during World War I—as a wake-up call to the British government to attend to its North Sea defenses, The Riddle of the Sands accomplished that task and has been considered a classic of espionage literature ever since, praised as much for its nautical action as for its suspenseful spycraft.

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiance, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life. As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man."

Introduction and Notes by Robert FolkenflikRich in playful double entendres, digressions, formal oddities, and typographical experiments, The Life and Opinions of Tristram Shandy, Gentleman provoked a literary sensation when it first appeared in England in a series of volumes from 1759 to 1767. An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is the most protean and playful English novel of the eighteenth century and a celebration of the art of fiction; its inventiveness anticipates the work of Joyce, Rushdie, and Fuentes in our own century. This Modern Library Paperback is set from the nine-volume first edition from 1759.

A finely honed, stirring adventure about the orphan David Balfour, who is kidnapped by his villainous uncle and escapes through the Scottish highlands, only to become involved in the Scottish struggle for independence. This edition features a new introduction by Margot Livesey.

Upon its first appearance in 1895, Thomas Hardy's Jude the Obscure shocked Victorian critics and readers with a frank depiction of sexuality and an unbridled indictment of the institutions of marriage, education, and religion, reportedly causing one Angli-can bishop to order the book publicly burned. The experience so exhausted Hardy that he never wrote a work of fiction again.Rich in symbolism, Jude the Obscure is the story of Jude Fawley and his struggle to rise from his station as a poor Wessex stonemason to that of a scholar at Christminster. It is also the story of Jude's ill-fated relationship with his cousin Sue Bridehead, and the ultimate tragedy that causes Jude's undoing and Sue's transformation. Jude the Obscure explores man's essential loneliness and remains one of Hardy's most widely read novels.

Edited and with an Introduction by Bryant MangumForeword by Roxana RobinsonBenediction • Head and Shoulders • Bernice Bobs Her Hair • The Ice Palace • The Offshore Pirate • May Day • The Jelly Bean • The Diamond as Big as the Ritz • Winter Dreams • AbsolutionIn the euphoric months before and after the publication of This Side of Paradise, F. Scott Fitzgerald, the flapper's historian and poet laureate of the Jazz Age, wrote the ten stories that appear in this unique collection. Exploring characters and themes that would appear in his later works, such as The Beautiful and Damned and The Great Gatsby, these early selections are among the very best of Fitzgerald's many short stories. This Modern Library Paperback Classic includes notes, an appendix of nonfiction essays by Scott and Zelda Fitzgerald and their contemporaries, and vintage magazine illustrations.

A major new translation of a forgotten classicParis, 1793, the onset of the Terror. Brave Republican Maurice rescues a mys-terious and beautiful woman from an angry mob and is unknowingly drawn into a secret Royalist plot—a plot revolving around the imprisoned Queen of France, Marie Antoinette, and her enigmatic and fearless champion, the Knight of Maison-Rouge. Full of surprising twists, breakneck adventure, conspiracies, swordplay, romance, and heroism, The Knight of Maison-Rouge is an exhilarating tale of selflessness, love, and honor under the shadow of the guillotine. Dumas here is at the very height of his powers, and with this first and only modern translation, readers can once again ride with the Knight of Maison-Rouge.

The first novel published by an African American, Clotel takes up the story, in circulation at the time, that Thomas Jefferson fathered an illegitimate mulatto daughter who was sold into slavery. Powerfully reimagining this story, and weaving together a variety of contemporary source materials, Brown fills the novel with daring escapes and encounters, as well as searing depictions of the American slave trade. An innovative and challenging work of literary invention, Clotel is receiving much renewed attention today. William Wells Brown, though born into slavery, escaped to become one of the most prominent reformers of the nineteenth century and one of the earliest historians of the black experience. This Modern Library Paperback Classics edition reproduces the first, 1853, edition of Clotel and includes, as did that edition, his autobiographical narrative, "The Life and Escape of William Wells Brown," plus newly written notes.

This Modern Library edition contains all of John Donne's great metaphysical love poetry. Here are such well-known songs and sonnets as "A Valediction: Forbidding Mourning," "The Extasie," and "A Nocturnall Upon S. Lucies Day," along with the love elegies "Jealosie," "His Parting From Her," and "To His Mistris Going to Bed." Presented as well are Donne's satires, epigrams, verse letters, and holy sonnets, along with his most ambitious and important poems, the Anniversaries. In addition, there is a generous sampling of Donne's prose, including many of his private letters; Ignatius His Conclave, a satiric onslaught on the Jesuits; excerpts from Biathanatos, his celebrated defense of suicide; and his most famous sermons, concluding with the final "Death's Duell." "We have only to read [Donne]," wrote Virginia Woolf, "to submit to the sound of that passionate and penetrating voice, and his figure rises again across the waste of the years more erect, more imperious, more inscrutable than any of his time."

In its adventurous happenings-its abductions, duels, and sexual intrigues-A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin-the archetypal Russian antihero-Lermontov's novel looks forward to the subsequent glories of a Russian literature that it helped, in great measure, to make possible.

Mary Elizabeth Braddon (1837–1915), Victorian England’s bestselling woman writer, blends Dickensian humor with chilling suspense in this “exuberantly campy” (Kirkus Reviews) mystery. The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North’s diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis.

G. K. Chesterton''s surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton''s nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn''t be interesting at all, though, if he didn''t also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

Washington Square follows the coming-of-age of its plain-faced, kindhearted heroine, Catherine Sloper. Much to her father's vexation, a handsome opportunist named Morris Townsend woos the long-suffering heiress, intent on claiming her fortune. When Catherine stubbornly refuses to call off her engagement, Dr. Sloper forces Catherine to choose between her inheritance and the only man she will ever truly love. Cynthia Ozick, in her Introduction to what she calls Henry James's "most American fiction,” writes that "every line, every paragraph, every chapter [of Washington Square] is a fleet-footed light brigade, an engine of irony.” Precise and understated, this charming novel endures as a matchless study of New York in the mid-nineteenth century.

Poet, celebrity, and revolutionary, Lord (George Gordon) Byron was one of the most influential and controversial figures of the first half of the nineteenth century, his distinctive, deeply felt work comprising one of the enduring high points of Romantic literature. From "Manfred,” with its evocation of the figure that came to be called the "Byronic hero,” to the melancholy "Childe Harold,” to the satirical masterpiece "Don Juan” (presented here in judiciously selected form), this Modern Library Paperback Classic includes all of the essential Byron.

When Matthew Lewis's The Monk was published in 1796, readers were shocked by this gripping and horrific novel. Lewis's story, which drove the House of Commons—of which he was a member—to deem him licentious and perverse, follows the abbot Ambrosio as he is tempted into a world of incest, murder, and torture by a young girl who has concealed herself in his monastery disguised as a boy. As Ambrosio spirals into hell, the reader encounters an array of haunting characters: the innocent virgin, the Bleeding Nun, the Wandering Jew, an evil prioress, and Lucifer himself. This Modern Library Paperback Classic, set from the unexpurgated first edition of 1796, brings to a new generation of readers a timeless classic of gothic fiction that has influenced writers from Byron and Emily Brontë to Poe and Hawthorne.