Bøger i Laurier Poetry serien

Dennis Cooley, one of Canada's most prominent poets, says writing becomes political when you play with certain kinds of voices. His poetry has been influenced and inspired by the prairies and other Canadian poets, but he insists on disturbing the formal poetic inheritance he esteems. His engagement with a variety of speaking voices asks that readers question authority and challenge institutional privilege. In By Word of Mouth , a collection from across his career, readers will discover how Cooley returns to the prairie vernacular and speaks to Canadian identity. Poetry, says Cooley, is about our time and our place. Nicole Markoti's introductory essay discusses how Dennis Cooley plays with poetic reference, inspires with syntactical surprises, parodies contemporary writing, and indulges in wild, celebratory puns. This book roams around Dennis Cooley's poetical world and invites the reader to play along.

Lorna Crozier s radical imagination, and the finely tuned emotional intelligence that is revealed in the clarity of her poetry, have made her one of Canada s most popular poets. Before the First Word: The Poetry of Lorna Crozier is a collection of thirty-five of her best poems, selected and introduced by Catherine Hunter, and includes an afterword by Crozier herself. Representing her work from 1985 to 2002, the collection reveals the wide range of Lorna Crozier s voice in its most lyrical, contemplative, ironic, and witty moments. Hunter s introduction discusses the poet s major themes, with particular attention to her feminist approach to biblical myth and her fascination with absence and silence as sites for imaginative revision. Crozier s afterword, See How Many Ends This Stick Has: A Reflection on Poetry, is a lyrical meditation that provides an inspirational glimpse into the philosophy of a writer who prizes the intensity of awareness that poetry demands, and is tantalized by what predates speaking and all that cant be named. An engaging volume that will appeal to undergraduate students as well as general readers of poetry. Lorna Crozier s work has won many awards, including the Governor Generals Award in 1992 (for Inventing the Hawk), the first prize for poetry in the CBC Literary Competition, the Canadian Authors Association Award for Poetry in 1992, a National Magazine Award in 1995, and two Pat Lowther Memorial Awards (1993 and 1996) for the best book of poetry by a Canadian woman. She has published fourteen books of poetry, most recently, Whetstone. Born in Swift Current, Saskatchewan, she now lives in British Columbia, where she is a Distinguished Professor at the University of Victoria.

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of home in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lanes poems exhibit impressive range and varietylong poems, short lyrics, serial poems, poems inspired by visual artand are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination. In her introduction As Opportunity for Grace, This Life May Serve, editor Jeanette Lynes discusses how Lanes poetry integrates an ecopoetic vision with explorations of the artists task of mapping her world. Lanes afterword reinforces her sense of the poets project as a form of mystical play, a search for patterns in the unified disunities of all things.