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Bøger i KINO - The Russian and Soviet Cinema serien

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  • - Labyrinths of Space and Time
    af Nariman Skakov
    415,95 kr.

    Explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity.

  • - Rewriting Cultural Histories
     
    420,95 kr.

    Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day.

  • - The Montage of Music, Image and Sound in Cinema
    af Robert Robertson
    1.755,95 kr.

    The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his writings, which present a continent of ideas about film. This book presents an introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema.

  •  
    416,95 kr.

    In this, the first English-language book to cover Sokurov's full oeuvre, leading scholars on Sokurov unravel his work on documentaries; his early films and literary adaptations; his trilogy on leaders focussing on the decaying body; his films on passing youth and approaching age; and, of course, 'Russian Ark'.

  • - Belonging and Identity during the Soviet Thaw
    af Joshua (University of Mississippi First
    1.762,95 kr.

    Historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s.

  • - Cinematic Dialogues Between the US and the USSR
    af Marina L. Levitina
    520,95 - 1.787,95 kr.

  • - Kulturfilms from the Far North to Central Asia
    af Oksana Sarkisova
    497,95 - 1.759,95 kr.

    Soviet expedition films from between 1925-1940 are examined as early forms of documentaries with both ideological and educational agendas

  • - Woman as Performer in Early Russian Cinema
    af UK) Morley & Rachel (University College London
    498,95 - 1.919,95 kr.

  • af Emma Widdis
    291,95 kr.

    This first introduction to Medvedkin's film-making career traces his process of developing a unique brand of cinematic satire throughout the period of the Soviet revolutionary experiment.

  • - Defining Documentary Film
    af Jeremy Hicks
    414,95 kr.

    Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Godard. This book covers the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative.

  • - Politics and Persuasion Under Stalin
    af Jamie Miller
    315,95 kr.

    Based on extensive archival research, this book examines the interaction between politics and the Soviet cinema industry during the period between Stalin's rise to power and the beginning of the Great Patriotic War.

  • - History and Non-fiction Film in the USSR
    af Graham Roberts
    1.919,95 kr.

    This is an account of Soviet documentary output during the years between the "Great October Socialist Revolution" and the "Great Patriotic War". Graeme Roberts re-views the examples of Soviet, and world, non-fiction cinema, and uncovers many intriguing films.

  • - The Russian Idea in Post-Soviet Cinema
    af Birgit Beumers
    422,95 kr.

    Looks at Russian cinema of the 1990s, describing the currents and common interests of contemporary Russian cinema and studying the work of filmmakers such as Sokurov. A review of the industry in times of economic change is included, with an assessment of its function as a definer of Russia's new identity. In the KINO- THE RUSSIAN CINEMA series.

  • - Classic Films of the Soviet Avant-garde
    af Amy (Tisch School of the Arts Sargeant
    1.919,95 kr.

    This volume on Vsevolod Pudovkin explores the style and production circumstances of his films and their reception, as well as his writings and theories, all within the Soviet political context.