Bøger i Invincible Questions trilogy serien

'King Ludwig has fascinated me ever since I was a child, yet fascination is not quite the right word. Fellow-feeling would be the proper phrase...' David Stacton, 1957With his fourth published novel - and his first on historical themes and personages - David Stacton's writing career took a decisive turn. Remember Me, over which he laboured for four years, is an extraordinarily vivid and felt portrait of the infamous Ludwig II of Bavaria, evoking with assurance the strange and poetic landscape that shaped him. Stacton described the book in genesis to his editor as 'a study in madness, of the regal temperament and its reflexes, pushed to that point when it has nothing but the past to govern.' 'A tour de force...An extraordinary feat of dreamlike identification. The compression is masterly.' Observer'[Stacton's] prose, alternating... between stabbing vigour and florid ornament, powerfully suggests the frustrations of that unhappy spirit.' Times Literary Supplement

'On A Balcony is devoted to the 14th century [B.C.] and the Pharaoh Ikhnaton, his sister-wife Nefertiti, the sculptor Tutmose, and the rivalry his religion of Aton brought to Egypt and its then current cult of Amon... presenting Ikhnaton's imposition of a new religion upon those who look on him as a god.' Kirkus Review'A fascinating study in royal neuroticism.' John Davenport, Observer 'A weird, subtle and compelling novel.' Time & Tide'What is important about Mr Stacton is his originality. We cannot guess how his book is going to develop. We cannot trace influences on his writing or fit him into any preconceived literary scheme...There is a self-confidence about his writing that has no trace of vanity.' Times Literary Supplement.

'Segaki is the story of two men, a woman, a dog, and a handful of snails. It is a very simple story. But like most simple stories, it is also a parable... It is the third volume of three novels concerned with various aspects of the religious experience... Segaki deals with [the] getting of wisdom, or insight, and deals with it, moreover, entirely in terms of Zen... Zen cannot be explained. It can only be embodied, and in that form, shown to people who will not see it unless they were accustomed to seeing it there anyway.' David Stacton, 1957 'I am enormously impressed by this... I haven't read such an electrifying work in ages. [Stacton] sounds not only like a magnificent poet but an initiate as well. And he seems to know Japan (the everlasting one) better than most Japanese...' Henry Miller (in a letter of October 1959)