Bøger i Heritage Studies serien

This volume looks at sustainable protection and sustainable use of cultural and natural heritage, particularly in view of the current challenges of the 21st century. For more than 40 years the World Heritage Convention has regulated the protection of the cultural and natural heritage of humankind, particularly in that heritage shall be protected if it is threatened by modern development. The international community has also adopted sustainability and sustainable development, as objectives to facilitate the protection of cultural and natural heritage. Sustainable heritage protection and use must therefore be preserved in the face of the global challenges it faces and must be perceived in terms of societal, political and corresponding economic paradigms.

Since the adoption of the World Heritage Convention in 1972, the notion that cultural and natural heritage need to be protected and properly utilized has gained popularity. This title discusses these developments and suggests potential solutions in order to deal with such unintended trends.

The volume "The UNESCO Memory of the World Programme: Key Aspects and Recent Developments" responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far.

Seit Verabschiedung der Welterbekonvention 1972 erfreuen sich Schutz und Nutzung des Kultur- und Naturerbes zunehmender Beliebtheit. Im Laufe der Zeit wurden jedoch Nutzungskonzepte entwickelt, die nicht mehr allein vom Gedanken der Nachhaltigkeit getragen wurden, sondern zunehmend durch wirtschaftliche Interessen gepragt sind. In der vorliegenden Publikation werden erstmals der Entstehungsprozess der Welterbekonvention, die Konvention selbst mit ihren diversen Facetten sowie ihre Entwicklung zu einem der bedeutendsten Instrumente der UNESCO fur den Kultur- und Naturguterschutz aufgezeigt. Dabei wird deutlich, dass der Erhalt und die Nutzung von Erbe ein auergewohnlich komplexer politischer, partizipativer und interdisziplinarer Prozess ist. In der Veroffentlichung werden diese Entwicklungen skizziert und Losungsansatze fur problematische Auswirkungen entwickelt.

This volume looks at sustainable protection and sustainable use of cultural and natural heritage, particularly in view of the current challenges of the 21st century. For more than 40 years the World Heritage Convention has regulated the protection of the cultural and natural heritage of humankind, particularly in that heritage shall be protected if it is threatened by modern development. The international community has also adopted sustainability and sustainable development, as objectives to facilitate the protection of cultural and natural heritage. Sustainable heritage protection and use must therefore be preserved in the face of the global challenges it faces and must be perceived in terms of societal, political and corresponding economic paradigms.

The volume "The UNESCO Memory of the World Programme: Key Aspects and Recent Developments" responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far.

This book contributes to the growing scientific literature on ¿intangible cultural heritage¿ ¿ determined by UNESCO to be particularly worthy of safeguarding and transmission ¿ by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance. By exploring the potential of the ¿intangible materiality¿ of dance practice the book argues that implementing the concept of a ¿performative dance-archive¿ creates a new analytic field: research in praxis.The concept of the ¿performative dance-archive¿ draws out the potential for safeguarding and transmission of dance heritage, but also the challenges of the opposition between living heritage and the codifying of cultural inventories. This book uses the formal and contextual transformation of Argentine tango and German modern dance to discuss this ambiguity of intangible heritage and how the ¿performative dance-archive¿ creates a cognitive, empractical approach to determine, archive, and distribute danceknowledge.This is a timely methodological intervention in the context of the increasing importance of the intangible cultural heritage. It enables us to re-revise the concept of (im)materiality and the specific knowledges within cultural practice as a necessary fundamental category for research-processes and societal growth. This book is directed both to researchers in the field of intangible cultural heritage and to practitioners and researchers searching for new ways of investigating methods and perspectives to understand 'immaterial materialities'.