Bøger i Hans Keller Archive serien

States that for three or four decades after the Second World War, musical thinking in Britain was dominated by psychology. This book explores how a psychoanalytical musical criticism may be grounded in individual and small-group psychology.

A provocative collection of writings on film music by the celebrated critic, Hans Keller [1919-85].

Between 1946 and 1959, the most outspoken voice in British film music was that of the celebrated Austrian imigri critic, Hans Keller (1919-85). He argued passionately for 'the need for competent film music criticism', laid out the main topics of the day, and studied the contribution of all the main British composers and many others besides. In particular he championed William Alwyn, Arthur Benjamin and Alan Rawsthorne as well as the more established names of Auric, Bernstein, Britten, Thomson, Vaughan Williams and Walton. In 1959 he also devoted a column to 'television music'. This important collection of writings will form a vital complement to the contemporary Composing for the Film by Hanns Eisler and Theodor Adorno, and will provide an invaluable and unparalleled account of a great age for film music. Includes line drawings by Milein Cosman.