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The symposium "Perspectives on Art Education" (Vienna, May 28 - 30, 2015) is dedicated to these changes: What does the training need today in terms of artistic practice, research, and communication skills? How can the diverse approaches to art education in different cultures, embedded in various national structures

Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. This publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid.

Fluid Totality presents the avant-garde architectural visions of one of the most innovative academic institutions of our timeΓÇöStudio Hadid at the University of Applied Arts Vienna. The studio founded by Zaha Hadid 15 years ago has meanwhile developed into a globally renowned think tank. The book analyzes these developments in the context of a comprehensive process of digitization and the resulting global changes in our habitats. On the basis of theoretical and analytical essays by influential contemporary architectural theorists and critics, as well as numerous articles and statements by renowned architects and others who have been involved during the history of the studio, this volume presents the result of fifteen years of pioneering work in an international context; the particular focus being the projects of the last five years.

Urban Change investigates the massive change processes in urban space. In the face of the complexity of this transformation, internationally renowned experts analyze these changes from different perspectives: from the rapid urbanization of Asia and of South America to the curated city;

Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness ΓÇö the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics ΓÇö within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice.

Using traditional clothing as an example, Daily Production focuses on the relationship between tradition and renewal, cultural differences and global economies. What is the current status of specific cultural traditions and phenomena? How do they come about, what do they mean, how do they change? The focus is on the relationship between tradition, production and work with respect to design, production and the use of traditional textiles.

Beatrix Bakondy's work is determined by the analysis of the space and its constitutive parameters. She explores, surveys, and samples the spatial coordinates related to architectural, political, or social contexts. This is a comprehensive documentation of the artistic works of Beatrix Bakondy.

The open dialog with the medium of photography involves the use of different forms of expression such as drawing, video, sound, performance, and spatial installations. This is a survey of the artistic work by students of Gabriele Rothemann's class of photography.

Actions and texts from the Institute for Language Arts at the University of Applied Arts Vienna, developed for the International Holocaust Remembrance Day, open a literary discourse of remembrance by the fourth generation: strange, unusual, disparate, lost and at the same time characterized by the desire to express themselves with compassion.

Das Gebaude verschluckte die Gerausche, die es verursachte, genauso wie das Schreien der Irren oder das Knarren altge-wordenen Linoleums. Es ist eilig, dass sie das Gelande wieder verlassen, sagt der Pfoertner. Und wohl zum Furchten war auch der Radiodieb, der in der Anstalt uber das Kind zu wachen hatte.

The increasing accumulation of people in living machines without history and the challenges presented by migration and the lack of space provoke a need for new thinking and acting in public spaces. As a marker of public space, the spontaneously arising forms of SUPERSUIT respond directly to the parameters of urban context.

"Re: Futures" presents the work created over the last five years with the participation of students studying at Studio Hani Rashid. The book uses texts, digital visualizations, and descriptive architectural sketches to illustrate a spectrum of contemporary design methods and a selection of future-oriented architectural themes.

Drawing a line from figures of thought to choreo-graphic figures both publications interlace fundamental research on figures by developing an innovative diagrammatics in theory and practice.

Based on his artistic practice, Nikolaus Gansterer reveals drawing as a core medium of research, which enables the emergence of new narratives by tracing the speculative and performative potential of diagrams.

In many modes of behavior, people act more and more like machines. With his created robotic beings, Niki Passath breaks with this seemingly rational technological system. By eliminating the predominant rationality of the machine, he gives it a new meaning.

The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity.

the book draws on the philosophy of science, hydrodynamics, and the cultural sciences, and focuses on the role of fluidity in cognitive and experience processes with the aim of establishing a grammar of `movable' materials.

Hanakam & Schuller are tricksters. As artists and researchers, they remodel the rules of fine art, creating idiosyncratic orders and new world designs incorporated in videos and objects. The artefacts of the two artists from Vienna are "Gestalt-changers"; Their art book Trickster unfolds a cosmology through discussions, images and texts.

Human empathy has its limits: never being able to see through Another's eyes is the starting point of Wagner's current research. This research clarifies why art expands our limits in communication with Another, and why, nevertheless, it always fails as an attempt to connect directly with Another.