Bøger i Edition Angewandte serien

Historische Aufarbeitung - Universitätsgeschichte Als die Wiener Kunstgewerbeschule 1941 zur Reichshochschule erhoben wurde, feierte sie sich als einzigartigen "Sonderfall" im nationalsozialistischen Universitätswesen. Ausgehend von neuesten Forschungen, zeichnet diese Studie die wechselhafte Geschichte der heutigen Universität für angewandte Kunst Wien im Austrofaschismus, Nationalsozialismus und in den Nachkriegsjahren nach. Das Buch gibt umfassende Einblicke in Kunstsammlung und Archiv der Universität für angewandte Kunst Wien und untersucht die Geschichte dieser Wiener Kunstinstitution, ihre Klassen und Werkstätten sowie ihre Lehrenden und Studierenden. Dabei stellen sich Fragen nach politischen, kulturellen und künstlerischen Zäsuren sowie Kontinuitäten im Wandel demokratischer und faschistischer Strukturen, die die Universität von 1933 bis 1955 prägten. Kritische Institutionengeschichte im kulturpolitischen Kontext Forschungsbeitrag zur Wiener Moderne und österreichischen Zeitgeschichte Mit einer umfangreichen Chronologie mit Biografien von Künstler:innen und einem großzügig bebilderten, kommentierten Katalogteil mit ausgewählten Beispielen (Kunstwerke, Archivalien, Quellen)

The biographical and artistic work with the inmates, the correspondence, the interventions in the isolated, public, and cultural sphere, the minutes, reflections, and results of the interdisciplinary exchange with scientists are comprehensively documented and illustrated.

Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness ΓÇö the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics ΓÇö within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice.

Urban Change investigates the massive change processes in urban space. In the face of the complexity of this transformation, internationally renowned experts analyze these changes from different perspectives: from the rapid urbanization of Asia and of South America to the curated city;

Fluid Totality presents the avant-garde architectural visions of one of the most innovative academic institutions of our timeΓÇöStudio Hadid at the University of Applied Arts Vienna. The studio founded by Zaha Hadid 15 years ago has meanwhile developed into a globally renowned think tank. The book analyzes these developments in the context of a comprehensive process of digitization and the resulting global changes in our habitats. On the basis of theoretical and analytical essays by influential contemporary architectural theorists and critics, as well as numerous articles and statements by renowned architects and others who have been involved during the history of the studio, this volume presents the result of fifteen years of pioneering work in an international context; the particular focus being the projects of the last five years.

Prix' architectural visions shaped the studio, which from the very beginning came to stand for radicalism and utopias built into the real. This publication features a selection of projects and diploma works of students as well as statements of international guests such as architects like Hitoshi Abe, Greg Lynn, and Zaha Hadid.

The symposium "Perspectives on Art Education" (Vienna, May 28 - 30, 2015) is dedicated to these changes: What does the training need today in terms of artistic practice, research, and communication skills? How can the diverse approaches to art education in different cultures, embedded in various national structures

After the success of Unbuildable Tatlin?!, this book focuses on Friedrich Kiesler's visionary "Endless House", which was only ever realized in the form of a model. It presents the state of research and discusses the possibility of realizing the project using today's means.

Die Publikation versammelt die Ergebnisse des kunstlerischen Forschungsprojekts DIGITAL SYNESTHESIA und stellt erstmals ein umfassendes Kompendium zu diesem Begriff vor. Jahrhundert, das die multimediale, auf dem binaren Code basierende AEsthetik der digitalen Kunst mit der Multimodalitat von Synasthesie als Wahrnehmungsform verbindet.

Im Mittelpunkt dieses Hybrids aus Buch und multi-medialer Nacherzahlung steht ein digitaler Datentrager mit Kurzfilmen und Interviews der teilnehmenden Performance-KunstlerInnen.

A publication that represents a cross-section through Michael Wegerer's oeuvre who became internationally known through his graphic paper sculptures, space installations, and interdisciplinary exhibition projects. It includes essays on the worlds of art, philosophy and music that complement the artist's own works.

The increasing accumulation of people in living machines without history and the challenges presented by migration and the lack of space provoke a need for new thinking and acting in public spaces. As a marker of public space, the spontaneously arising forms of SUPERSUIT respond directly to the parameters of urban context.

Profiling the work of voyagers traveling with the Cape Farewell touring exhibition, this book offers essays by experts and critical thinkers from both the sciences and the arts, discussing debates surrounding global warming and our changing world.

Presents a detailed review of vectors of creative and artistic coded and cultures, focusing on digital media-related art projects and observation models on the intersection of disciplines like art, science, technology and design.

Molecular biology provided the basis for a collection of drawings and installations from 20 years of artistic practice and artistic perspective. Through her drawings Petra Maitz has defined a comprehensive hypothesis of the wordly chemistry change, showing visualisations of evolution in a cultural context. This book deals with her work.

charset=iso-8859-1" http-equiv=content-type> Massive Attack is an assembled and edited critical mass of lectures extracted from the IOA Sliver Series entitled Selected Friends and Enemies.

In ten interviews with clients, designers report on their personal experiences with commissions and clients, and provide insight into their individual work processes. Three generations of graphic designers, all of which studied at the University of Applied Arts Vienna, speak openly about their experiences.

[a]FA is a "laboratory" in which spatial, infrastructure, ecological and cultural phenomena of the Sub-Saharan region are investigated. The projects are presented in their respective contexts and are embedded in contemporary discourses - well-known experts take a stand.

Investigates patterns of growth and dynamics in nature with the aim of creating a new "living architecture" that can be applied to architectonic designs. This book examines biological processes to identify basic principles of growth and translate them into exemplary architectonic ideas and visions.

The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern "e;bourgeois"e;. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

Human empathy has its limits: never being able to see through Another's eyes is the starting point of Wagner's current research. This research clarifies why art expands our limits in communication with Another, and why, nevertheless, it always fails as an attempt to connect directly with Another.

Hanakam & Schuller are tricksters. As artists and researchers, they remodel the rules of fine art, creating idiosyncratic orders and new world designs incorporated in videos and objects. The artefacts of the two artists from Vienna are "Gestalt-changers"; Their art book Trickster unfolds a cosmology through discussions, images and texts.

the book draws on the philosophy of science, hydrodynamics, and the cultural sciences, and focuses on the role of fluidity in cognitive and experience processes with the aim of establishing a grammar of `movable' materials.

The contributions to this book explore a phenomenon that appears to be a contradiction in itself - we, the users of computers, can be tracked in digital space for all eternity.