Bøger i Edinburgh Companions to Litera serien

The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual arts

The most substantial exploration to date of gothic fiction in the international context Examining texts from across six continents, The Edinburgh Companion to Globalgothic considers how gothic imagines, colludes with or interrogates relationships and phenomena that are planetary in scale. Accordingly, the thirty-one chapters address gothic engagements with - among others - resource imperialism, (ongoing) colonial history, diasporic identity, buckling economic unions, the rise of the internet, enthnonationalism and entangled systems of gendered, racialised and ecocidal power. In this way, the collection moves decisively beyond the framework of globalisation to identify a range of new globalgothic approaches and modes, overall demonstrating that gothic is a key - though sometimes complicit - register for negotiating the challenges and histories of our uneven global present. Rebecca Duncan is Research Fellow at the Linnaeus University Centre for Concurrences in Colonial and Postcolonial Studies, where she co-ordinates the 'Aesthetics of Empire' Research Cluster.

Explores modernism's complex relationship with contemporary theatre. This volume highlights modernism as an impulse that can be carried forward to the present, re-embodied and re-encountered in theatrical performance. It demonstrates how modernist impulses spark contemporary theatre in dynamic ways, continuing the modernist imperative to 'make it new' and to engage meaningfully with the complicated situation of living in the contemporary world. A diverse set of contributions from scholars and theatre practitioners examines the legacy of modernism on the world stage in acts of remembrance, restaging, transmission and slippage. It investigates both well-known and less familiar aspects of modernist theatre history, engaging topics such as the revival of the first Black American musical, feminist and disability-led reinterpretations of canonical modernist plays, the use of modernist-inspired performance practice in contemporary university arts education and the continually contested meaning and importance of the avant-garde. Adrian Curtin is Associate Professor of Drama at the University of Exeter. Nicholas Johnson is Associate Professor of Drama at Trinity College Dublin. Naomi Paxton is Knowledge Exchange Fellow at The Royal Central School of Speech and Drama, University of London. Claire Warden is Professor of Performance and Physical Culture at Loughborough University.

[headline]This field-defining collection maps key intersections between sound studies and literary studies Collections on sound studies have seldom explored the vexed relationship between literature - a medium largely defined by its silence - and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars. [bios]Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (2004) and Moving Images: Nineteenth-Century Reading and Screen Practices (2013), co-author of Dreams and Modernity: A Cultural History (2013) and co-editor of the forthcoming collection Writing the Global Riot: Literature in a Time of Crisis (2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author of the forthcoming Modern Character: 1888-1905 (2023) and Prison Writing in the Twentieth Century: A Literary Guide (Edinburgh University Press, 2023).