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Excerpt from Three Prose Versions of the Secreta Secretorum, Vol. 1: Edited With Introduction and Notes; Text and Glossary The present volume contains three versions of the Secret Secretomm, the first from a shortened French source, the second from a Latin source. The third text, perhaps the only lengthy work known written in the English of the Pale early in the fifteenth century, is so important, linguistically and historically, that Dr. Furnivall wishes it to be in the hands of students as soon as possible. I have therefore postponed my Introduction and Notes. In the meantime some account of the originals may be found in my Introduction to Lydgate and Burgh's Searces. As the work is being issued I discover that the greater portion of this. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Havelok is the second oldest surviving romance written in English. It is often categorized in the so-called Matter of Britain, which tell the story of English heroes and history. It is believed to have been composed somewhere between 1295-1310. The romance survives in one imperfect version, as well some fragments. A copy of the 3001 line poem is available to view in Grimsby Public Library. The story of Havelok has had a rich textual life and surely must have held great fascination for readers of many nationalities up until the 20th century. It is a story that unites the local interest of the founding of Grimsby in Lincolnshire to a cosmopolitan acknowledgment of the complex national identity of England in the Middle Ages, bringing together Anglo-Saxon, Norman, Danish and British influences.