Bøger i Dover Fine Art, History of Art serien

Brilliant color plates of Edmund Dulac's book illustrations date from 1908 to 1928 and include Shakespeare's "The Tempest, The Arabian Nights, The Rubaiyat of Omar Khayyam, "and Hans Christian Andersen's fairy tales.

In this comprehensive study of the art of drawing with a pen, artist and author Joseph Pennell underscores his highly opinionated "technical suggestions" with more than 400 exhilarating illustrations by masters from around the globe.

65 plates of Pyle's rare, early-edition printings: action-packed drawings of dueling pirates and pistol-toting buccaneers, Revolutionary-era patriots, knights in armor rescuing fair maidens, and more.

Forty-four plates, reproduced directly from originals in the collection of the Whitney Museum of American Art, reveal Hopper's superb draftsmanship and evocative power. Realistic depictions of Manhattan streets, a lighthouse, the rural Northeast, and more.

The major American artist invented the concept of a wordless novel with this evocative, text-free "woodcut" narrative. Autobiographical in nature, the novel recounts Ward's struggles with his craft and with life in the 1920s. The intricate woodcuts transcend all barriers of language, and fresh details reward the eye with every review. 139 black-and-white illustrations.

Hans Holbein the Younger (1497-1543) ranks among history's most gifted and perceptive portrait painters. His objectivity, realism, and superb draftsmanship have influenced artists and commanded the admiration of the world for over four centuries.This handsome volume presents 44 of Holbein's finest portrait drawings, created while he worked as court painter to Henry VIII. This artist's record of one of the world's most brilliant and tempestuous courts, in drawings and finished portraits executed with inimitable sensitivity and impeccable draftsmanship, is unique in the annals of history and art. Here are revealing, detailed depictions of a gallery of powerful personalities: Sir Thomas More; Jane Seymour; Edward, Prince of Wales; Anne Boleyn; William Warham, Archbishop of Canterbury; Henry Howard, Earl of Surrey; Sir Thomas Wyatt; Nicholas Bourbon the Elder; and many others. Informative captions provide identification of the sitters, dates, dimensions of the drawings, and notes on the media.Today the original drawings can be seen only in the collection of the Royal Library at Windsor. This inexpensive Dover edition makes them widely available to all art lovers. Moreover, every effort has been made to retain the quality of the originals--subtleties of tone and shading, fine detail, and telling nuances of expression. The drawings comprise a priceless archive of important personalities in Henrician England, a record of great value to historians, scholars, costume and cultural historians--anyone interested in that turbulent era and the astounding painter who helped preserve it.Dover (1985) original publication.

120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. Captions.

These lifelike images of birds and flowers first appeared in a now-rare 1883 portfolio. A magnificent reproduction of a 1938 facsimile of the original publication, this exquisite edition features 150 color illustrations.

Forty-four drawings from many periods and styles show master 20th-century draughtsman's incredible line: 1905 circus family, portraits of Diaghilev and Balzac, cubist studies, neo-classical nudes, and mythological scenes. Media include lithograph, drypoint, etching, and pen-and-ink.

273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.

This original collection features Parrish's works from 1897 through the 1920s and includes art from "The Arabian Nights" and "The Knave of Hearts, "plus magazine and advertising imagery.

Choice drawings -- from early impressions of peasant life to studies for "Starry Night," other masterpieces. 44 black-and-white illustrations. Captions.

One of the finest wood engravers of the twentieth century, Lynd Ward took his work to a new dimension when he created the "wordless novel. "Gods' Man, his first novel in woodcuts, appeared in 1929; during the 1930s, he published five more pictorial narratives. Ward earned the Library of Congress Award, the Caldecott Medal, and other prestigious awards. Vertigo, published in 1937, is considered to be his masterpiece. Telling this poignant story with 230 stylized woodcuts, the artist rewards his readers' eyes with the intricate beauty of his craft -- and satisfies their spirits with a freedom of interpretation that extends beyond the reach of words. Published more than seventy years ago in the midst of the Great Depression, the dramatic tale of three people dealing with financial instability, joblessness, and debt rings strikingly true today. A young girl who longs to be an accomplished violinist, and a boy who hopes to become a builder, find their dreams shattered by desperate economic times. When an elderly gentleman wields his power to cut his business losses, all three lives are changed forever. Includes a new introduction by David Beronä, a woodcut novel historian and the author of Wordless Books: The Original Graphic Novels.

A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. This modestly priced compilation features 209 of the influential artist's graphic works -- 172 lithographs, plus 37 etchings and engravings.

For more than a generation, Gertrude Stein's Paris home at 27 rue de Fleurus was the center of a glittering coterie of artists and writers, one of whom was Pablo Picasso. In this intimate and revealing memoir, Stein tells us much about the great man (and herself) and offers many insights into the life and art of the 20th century's greatest painter.Mixing biological fact with artistic and aesthetic comments, she limns a unique portrait of Picasso as a founder of Cubism, an intimate of Appollinaire, Max Jacob, Braque, Derain, and others, and a genius driven by a ceaseless quest to convey his vision of the 20th century. We learn, for example, of the importance of his native Spain in shaping Picasso's approach to art; of the influence of calligraphy and African sculpture; of his profound struggle to remain true to his own vision; of the overriding need to empty himself of the forms and ideas that welled up within him.Stein's close relationship with Picasso furnishes her with a unique vantage point in composing this perceptive and provocative reminiscence. It will delight any admirer of Picasso or Gertrude Stein; it is indispensable to an understanding of modern art.