Bøger i Crime Files serien

This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work¿s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication¿s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works ¿ those that fit into True Crime and those that defy categorisation within the genre as it exists ¿ are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it.

This highly accessible, lively and informative study gives a clear and comprehensive overview of recent trends in American crime fiction. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.

This book establishes the genealogy of a subgenre of crime fiction that Antoine Dechêne calls the metacognitive mystery tale. It delineates a corpus of texts presenting 'unreadable' mysteries which, under the deceptively monolithic appearance of subverting traditional detective story conventions, offer a multiplicity of motifs - the overwhelming presence of chance, the unfulfilled quest for knowledge, the urban stroller lost in a labyrinthine text - that generate a vast array of epistemological and ontological uncertainties. Analysing the works of a wide variety of authors, including Edgar Allan Poe, Jorge Luis Borges, and Henry James, this book is vital reading for scholars of detective fiction.

This book examines the central significance of sexualized female corpses in modern and contemporary Hispanic and Anglophone crime fiction.

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre.

This book represents the first serious consideration of the 'domestic noir' phenomenon and, by extension, the psychological thriller.

This book examines the central significance of sexualized female corpses in modern and contemporary Hispanic and Anglophone crime fiction.

100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre.

The study of Hollywood detectives has often overlooked the B-Movie mystery series in favour of hard-boiled film. Hollywood's Detectives redresses this oversight by examining key detective series of the 1930s and 1940s to explore their contributions to the detective genre.

This book examines the developments in British serial detective fiction which took place in the seven years when Sherlock Holmes was dead. In December 1893, at the height of Sherlock's popularity with the Strand Magazine's worldwide readership, Arthur Conan Doyle killed off his detective. At the time, he firmly believed that Holmes would not be resurrected. This book introduces and showcases a range of Sherlock's most fascinating successors, exploring the ways in which a huge range of popular magazines and newspapers clamoured to ensnare Sherlock's bereft fans. The book's case-study format examines a range of detective series-- created by L.T. Meade; C.L. Pirkis; Arthur Morrison; Fergus Hume; Richard Marsh; Kate and Vernon Hesketh-Prichard- that filled the pages of a variety of periodicals, from plush monthly magazines to cheap newspapers, in the years while Sherlock was dead. Readers will be introduced to an array of detectives-professional and amateur, male and female, old and young; among them a pawn-shop worker, a scientist, a British aristocrat, a ghost-hunter. The study of these series shows that there was life after Sherlock and proves that there is much to learn about the development of the detective genre from the successors to Sherlock Holmes."In this brilliant, incisive study of late Victorian detective fiction, Clarke emphatically shows us there is life beyond Sherlock Holmes. Rich in contextual detail and with her customary eye for the intricacies of publishing history, Clarke's wonderfully accessible book brings to the fore a collection of hitherto neglected writers simultaneously made possible but pushed to the margins by Conan Doyle's most famous creation." - Andrew Pepper,, Senior Lecturer in English and American Literature, Queen's University, Belfast Professor Clarke's superb new book, British Detective : The Successors to Sherlock Holmes, is required reading for anyone interested in Victorian crime and detective fiction. Building on her award-winning first monograph, Late-Victorian Crime Fiction in the Shadows of Sherlock, Dr. Clarke further explores the history of serial detective fiction published after the "death" of Conan Doyle's famous detective in 1893. This is a path-breaking book that advances scholarship in the field of late-Victorian detective fiction while at the same time introducing non-specialist readers to a treasure trove of stories that indeed rival the Sherlock Holmes series in their ability to puzzle and entertain the most discerning reader. - Alexis Easley, Professor of English, University of St.Paul, Minnesota

This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.

This book reveals subversive representations of gender, race and class in detective dime novels (1860-1915), arguing that inherent tensions between subversive and conservative impulses-theorized as contamination and containment-explain detective fiction's ongoing popular appeal to readers and to writers such as Twain and Faulkner.

This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.

Now in paperback, this book considers crime fighting from the perspective of the civilian city-goer, from the mid-Victorian garotting panics to 1914. It charts the shift from the use of body armour to the adoption of exotic martial arts through the works of popular playwrights and novelists, examining changing ideals of urban, middle-class heroism.

Much analysis of gangster movies has been based upon a study of the gangster as a malign figuration of the American Dream, originally set in the era of the Depression.

This book represents the first serious consideration of the 'domestic noir' phenomenon and, by extension, the psychological thriller.

From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L.Sayers, Margery Allingham, Ngaio Marsh, P.D. James and Ruth Rendell/Barbara Vine. James and Ruth Rendell/Barbara Vine.

Analysing seventies texts about crime, police, detectives, corruption, paranoia and revenge, The American Thriller aims to open debates on genre in the light of audience theory, literary history and the place of popular fiction at the moment of its production.

This book undertakes a study of the trope of possessed child in literature and film. It argues that the possessed child is fundamentally an American phenomenon which, first, may be traced to the Calvinist bias of the US as a nation founded on Puritanism and, second, to the rise of Catholicism in that country, to which Puritanism owes its origins.

This book explores the three aspects of deviance that contemporary crime fiction manipulates: linguistic, social, and generic. Gregoriou conducts case studies into crime series by James Patterson, Michael Connelly and Patricia Cornwell, and investigates the way in which these novelists correspondingly challenge those aforementioned conventions.

This study of crime and masquerade in fiction focuses upon the criminal as a 'performer'. Through stimulating discussions of a wide range of criminal types, Peach argues for the importance of novels that have been neglected. The book integrates incisive literary and cultural criticism with arguments about gender, masquerade, crime and culture.

Christie's books depict women as adventurous, independent figures who renegotiate sexual relationships along more equal lines. Women are also allowed to disrupt society and yet the texts refuse to see them as double deviant because of their femininity. This book demonstrates exactly how quietly innovatory Christie was in relation to gender.

This study shows how she sought to reconcile her attachment to the Victorian past with her recognition of a new society that undermined established order and in doing so gave more opportunities to women, confused class-boundaries, extended tolerance, allowed the cult of pleasure and self-assertion and revealed the ambiguities of respectability.

Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre, from Sjoewall and Wahloeoe's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .

This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.

What happens to detective fiction when the detective is "post-colonial," a marginalized native or settler in a country recovering from colonialism?

This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon;

Detection existed in fiction long before Poe and Doyle. In this revealing book, Heather Worthington combines scholarly and archival study with theoretically informed analysis to unearth the foundations of detective fiction.

This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.