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'A passion for possessing books, not so much to be instructed by them, as to gratify the eye by looking on them': thus is described 'bibliomania' by one of the characters of Thomas Frognall Dibdin (1776-1847), in this humorous novel first published in 1809. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's eponymous work. Using the entirely revised 1811 edition, this reissue brings back to life Dibdin's bibliomaniac characters and their playful dialogues on the nature and history of book collecting, and, most importantly, on the dangers of the 'fatal disease' that is bibliomania, its strange manifestations - such as the 'vellum', 'first edition', and 'unique copies' symptoms - and its possible cure. The author of numerous bibliographical works, Dibdin provides erudite comments and clarifications to his characters' dialogues in a parallel narrative of footnotes.

M. R. James (1862-1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. First published in 1929, this book lists over 300 separate volumes which were part of the library of Peterborough Abbey before the Dissolution. James reconstructs this list from sources including lists of books bequeathed to the Abbey, ancient catalogues, and extant books which can be identified as belonging to the library in the medieval period. He also provides a short analysis of his sources. Now reissued, this book will be welcomed by librarians and researchers alike.

Arthur Le Blanc Newbery's family history, published in 1911, is meticulously researched and easy to read, consolidating a range of resources to provide a comprehensive history of the Newberys. Presented in timeline form using extracts from the various sources, it also includes biographies of members of the related Raikes, Le Blanc, and McClintock families. Central to the history is the life of John Newbery (1713-1767), a well-known publisher, most notably of children's books, and friend of Samuel Johnson and Oliver Goldsmith. His relationship with the two men is well documented, and the account is supplemented with extracts from their biographies. Other notable ancestors of Le Blanc Newbery whom he includes in this book are John's son and nephew, both called Francis, the latter of whom first published Goldsmith's The Vicar of Wakefield; and Admiral Sir Francis Leopold McClintock (1819-1907), the Arctic explorer.

Charles Welsh's account of the achievements of John Newbery was first published in 1885. Newbery is best known as the pioneering publisher of good-quality children's books such as A Little Pretty Pocket-Book and Little Goody Two-Shoes. In many ways he can be regarded as the first publisher who created and marketed books specifically for children. He was an associate of Samuel Johnson and Oliver Goldsmith, and founded a number of newspapers that published some of their works. Welsh also draws attention to a less well known aspect of Newbery's diverse business ventures: his involvement in the selling of patent medicines. The author chronicles the immediate successors to the Newbery business and includes a lengthy summary of the son Francis Newbery's autobiography. The illustrated book contains a number of appendices including John Newbery's will, lists of his publications and some of the newspapers with which he was associated.

In this Essay, first published in 1853, the Victorian social activist James Hole offers an impassioned defence of the one of the central products of early Victorian social reformism, the mechanics' institutes. Aimed at improving the education of working-class men, women and youths, the institutes offered basic literacy training as well as higher-level lectures on science, the arts, and industry. This volume, originally a prize-winning essay, outlines Hole's plan for improving the efficacy of the institutes, which he saw as failing in their mission of enlivening the minds of those whose primary labours were physical. The institutes 'have established the right of the people to culture', Hole writes, but they had yet, in his view, to instil it. An important work in the history of education, Hole's Essay provides revealing insights into social reformism and the complexities of class politics within the movement.

Samuel Squire Sprigge (1860-1937) was a qualified physician who worked for The Lancet from 1892 and was editor from 1909 until his death. He published several books including a history of the journal and its founder, and a volume of essays, Physic and Fiction. The Methods of Publishing first appeared in 1890 and is Sprigge's passionate contribution to the late-nineteenth-century discussion on how the question of literary property is best resolved. Sprigge argues that this matter is often treated in a cavalier manner that disadvantages authors, particularly in the relationship between publisher and author. In his view, book prices are too low, copyright protection for authors is insufficient, the royalty system is in chaos, and authors do not obtain a fair share of profits. He proposes that literary property questions be treated with the same legal formality and protection as is found in other business dealings.

This volume brings together extensive recollections of authors, publishers, auctioneers and booksellers from 1779 to 1853, based on the author's personal acquaintance with the prominent writers, artists and book publishers of the period. The book is in three sections, each one concentrating on a given area of London and the literary scene centred upon it. They are Paternoster Row, Fleet Street and The Strand. Attention is paid to different forms of publication, such as the early magazines, in which books were published by instalments, and to key personalities. There is also detailed background to some of the most important publishing houses, such as Longman, and works which were considered pivotal to their success, such as 'Rees' Cyclopaedia' and the 'Annual Review'. Engagingly written from a personal perspective, this book will be of value to historians of literature and publishing, and others interested in London's literary past.

The work of Samuel Palmer (1805-1881) received mixed critical success during his lifetime, and his later life was overshadowed by the death of his elder son. Largely forgotten after his own death in 1881, Palmer began to attract renewed interest in the mid-twentieth century and he is now recognised as a key figure in English Romanticism. First published in 1892, this combination of a biography and a collection of Samuel Palmer's letters was written and compiled by his surviving son, A. H. Palmer, who later, in 1909, burned large quantities of his father's sketchbooks and notebooks. The letters published here, which date from 1829 to 1881, include correspondence with other members of 'the Ancients', such as John Linnell, George Richmond and Edward Calvert. The book also includes a range of sketches and etchings, as well as a catalogue of exhibited works.

William James Linton (1812-1897) was a wood-engraver, poet, prose writer and political activist, who first worked in London but emigrated to the United States in 1866. He began his wood-engraving apprenticeship at the age of sixteen under the well-known London engraver G. W. Bonner. Linton's mature work, championing the use of 'white lining' and favouring the use of horizontal engraved lines and creating tone by differing line thickness, continued in the tradition of Thomas Bewick (1753-1828), the founding figure of wood-engraving. The publication of this book in 1884 marked the culmination of Linton's career, though he continued to research and write on the subject. The manual, originally published in only five hundred copies, is beautifully illustrated with Linton's own engravings and is a rich source for anyone interested in the technical details as well as the historical development of this specialist craft.

The son of a Liverpool-based printer, John Southward (1840-1902) was a prolific writer and editor of books on the subject. He edited the Printers' Register from 1886 to 1890, and his Modern Printing: A Handbook remained a standard work for apprentice printers and compositors well into the twentieth century. This dictionary of terms employed in printing offices was one of his earlier works, initially issued as a monthly serial within the Printers' Register. The resulting high demand led to the publication of a second edition in book format in 1875. Painstakingly compiled, it covers the history and practice of typography, and gives references to other works where further information can be found. Over a century later, the technology and terminology of typesetting and printing have undergone enormous changes, but this book remains a fascinating snapshot of the British printing industry in the mid-to-late nineteenth century.

Frank McClean (1837-1904) was not only an astronomer and pioneer of objective prism spectrography, but also an accomplished and systematic collector of art, books and manuscripts. McClean's collections, which were left to the Fitzwilliam Museum, Cambridge, on his death, were at that time the most notable bequest since the Museum's foundation. The fifteenth- and sixteenth-century printed books in his bequest, most of them produced in continental Europe, are described here in detail, with bibliographical descriptions and information on their provenance. Illustrated books are listed separately. The author of the catalogue, Charles Edward Sayle (1864-1924) was an erudite and popular librarian whose career was devoted to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'.

Henry Benjamin Wheatley (1838-1917) was a prolific writer on bibliography, literature and the arts. As founder of the Index Society, and editor of The Bibliographer, he was also involved in the foundation of the Library Association. In that context he wrote several works on library topics, and this volume contains two works on bookbinding, Remarkable Bindings in the British Museum (1889) and Bookbinding Considered as a Fine Art, Mechanical Art and Manufacture (1882). The former contains descriptions and illustrations of 62 examples of bookbinding then in the British Museum library, notable as beautiful examples from different countries and periods, or different materials, or for their historic interest. The second piece was a paper read to the Society of Arts in 1880. It outlines the history of bookbinding styles in different countries, and then discusses it both as an art form and from a practical point of view, with illustrations.

M. R. James (1862-1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. This volume contains James' catalogue of the manuscript holdings of Jesus College and will be welcomed by librarians and researchers alike.

Published to mark the four hundredth anniversary of the first book to be printed in Cambridge by John Siberch in 1521, this book traces the development of the Press over four centuries. S.C. Roberts, who became Secretary to the Press Syndicate in 1922, blends archival research with an anecdotal style to produce this informative account. Appendices list the university printers up to 1921, including most famously Thomas Thomas, John Legate, Thomas Buck and John Baskerville, and the books published in each year between 1521 and 1750 by authors such as Erasmus, George Herbert, John Donne, John Milton, Isaac Newton and Thomas Browne. Aimed at the general reader, this lively account of the Press' major achievements is illustrated with a number of portraits and historical documents and remains a useful introduction to the history of the oldest publishing house in the world.

Published soon after his untimely death, this spirited memoir of the artist and illustrator Randolph Caldecott (1846-1886) will appeal as much for its value as a portrait composed by a close acquaintance, as for the many drawings it contains. Written by Henry Blackburn (the editor of the London Society, 'an illustrated magazine of light and amusing literature' to which Caldecott contributed a number of drawings), it uses a style similar to that of Caldecott himself, who often peppered his papers, personal letters to family and friends, and even official documents with small sketches. These would take as their subject some humorous remark, or simply illustrate the content of the text. Beyond illustration (in which he was highly successful) Caldecott had a varied career as a sculptor and oil painter (exhibiting at the Royal Academy) and as a watercolourist, being elected to the Royal Institute of Watercolour Painting in 1872.

Annals of a Publishing House contains the early history of the influential Scottish publishing house, William Blackwood and Sons. From small beginnings, the firm had rapidly become the leading Scottish publishing house, dominating the literary world, particularly through Blackwood's Edinburgh Magazine. Owing to the death of Mrs Oliphant, the commissioned author, Volume 3 was written by Mary Porter, daughter of John Blackwood, sixth son of the founder, and covers his career. Beginning as head of the new London branch, he assumed control of the firm on the death of his uncle Robert in 1852. He reorganised the firm and added its prominence. He formed working relationships with many of the leading Victorian writers, including Elizabeth Barrett Browning, George Eliot, Edward Bulwer Lytton and Thomas Hardy. He expanded the firm's output to include travel writers such as Burton on India and Speke on the search for the source of the Nile.

First published in 1897, this is one of many books written by the technical journalist John Southward (1840-1902), one of the most prolific writers on printing in the nineteenth century. As the title indicates, Southward is primarily concerned with the development and progress of printing. Here he takes a thoroughly practical approach, surveying the different methods of printing and considering the improvements made in printing advertisements, books and newspapers, as well as to the different stages of the printing process itself. Southward's prose is clear and precise, and his style changes seamlessly from a narrative account of printing history to more instructional descriptions of printing methods. The book contains numerous illustrations and diagrams, and the pages are all lavishly decorated. This is a beautiful book, a thoroughly comprehensive account of the history and processes of printing from one of the leading nineteenth-century authorities on the subject.

In this famous book, first published in 1832, Charles Babbage (1791-1871), the mathematician, philosopher, engineer and inventor who originated the concept of a programmable computer, surveys manufacturing practices and discusses the political, moral and economic factors affecting them. The book met with hostility from the publishing industry on account of Babbage's analysis of the manufacture and sale of books. Babbage describes the many different printing processes of the time, analyses the costs of book production and explains the publication process, before discussing the 'too large' profit margins of booksellers. Babbage succeeded in his aim 'to avoid all technical terms, and to describe in concise language', making this an eminently readable historical account. His analysis and promotion of mechanisation and efficient 'division of labour' (still known as the 'Babbage principle') continue to resonate strongly for modern industrial engineering.

This short history of paper-making is based on lectures delivered at the London Institute, and was first published in book form in 1855. The young Richard Herring (b. 1829) covers a great deal of ground in just three chapters. His book begins with the origins of writing itself, the first materials upon which people wrote, and the mastery of Egyptian papyrus. He then describes more recent developments such as the paper-making techniques developed in the eighteenth century by James Whatman, watermarks, and an especially captivating section on how the close analysis of paper was used to expose an Irish forgery of Shakespearean manuscripts. The introduction by the Reverend George Croly stresses the importance of paper-making and printing to Christian history. Herring writes enthusiastically, punctuating his account with anecdotes, and patriotically emphasises the unrivalled brilliance of printing in England.

Matthias Koops was a pioneer of mechanical paper-making. He invented new processes for making paper from wood pulp rather than from rags, and for recycling paper itself to a condition in which it could be used for printing. The second edition (1801) of his book was printed partly on a type of straw paper and partly on recycled paper; the Appendix was 'printed on paper made from wood alone, the produce of this country'. Koops's aim was to overcome the problem of the scarcity of rags for paper-making, which he believed was a restraint on the development of commerce and of science, by producing paper from natural sources which were almost inexhaustible. However, the factory which he established went bankrupt after only one year, and it was to be nearly two centuries before printing books on recycled paper became a practical possibility for the industry.

W. D. Richmond's The Grammar of Lithography (1878) is a comprehensive and instructive work on the many varieties of lithography - with all their attendant materials and instruments - described and explained in practical terms for the active participant and the amateur enthusiast alike. Richmond's Grammar should also be understood as part of a wider movement of nineteenth-century industrial disclosure, where pockets of masterly knowledge previously available to apprentices and company employees alone were being made much more widely available through impartial manuals and guides. This noble cause was intended to bring down the walls of ignorance and trade secrecy and to foster an open atmosphere of mutual understanding. In the realm of lithography, Richmond's Grammar was the first treatise to achieve this. While the work forgoes any historical or overly theoretical discussion, it does provide an excellent example of practically oriented expertise in the graphic arts.

Charles Hindley (d.1893) wrote several books on British popular literature including Curiosities of Street Literature and a history of the cries of London. This book, first published in a limited edition in 1869 but here reprinted from the 1886 edition, tells the colourful story of John (1769-1813) and James (1792-1842) Catnach, the father-and-son printers who were leaders in the expanding market for cheap publications for the masses. John's contribution was to start using real paper and printer's ink instead of the cheap substitutes current at the time. He was also noted for embellishing his work with great technical skill. James later developed a successful business printing cheap song-sheets, ballads and sensationalist accounts of crimes, conspiracies and scandals, and was able to support his widowed mother and his sisters on the proceeds. This lively biography is illustrated with numerous woodcuts, many from Catnach's publications.

Physiologie de la Lecture and de L'Ecriture (1905) was Emile Javal's seventh book. Initially trained as an engineer, Javal turned to medicine and to ophthalmology when he saw his sister suffering from defects of vision. He became a renowned ophthalmologist, developing the Javal-Schiotz ophthalmometer, treating strabismus, and founding the Sorbonne's ophthalmology lab. Tragically, Javal developed glaucoma and was blind by 1900. His work investigates the 'physiology of reading and writing', undertaking historical, theoretical, and practical approaches to his subject. Javal's work first examines the history behind reading and writing; he discusses epigraphy, writing, typography, stenography, musical notation, and 'ecriture en relief', a writing system for the blind, before turning to theoretical considerations and concluding with practical deductions. Physiologie represents Javal's interest in advancing a writing system for the blind by studying how the eye reads; his was one of the first works to do so.

A Treatise on Wood Engraving, Historical and Practical (1839), combines the practical knowledge of an engraver with the critical inquiry of an historian. Compiled and edited by William Andrew Chatto, an established author with an interest in woodcuts, the book was originally conceived by the wood-engraver John Jackson, who provided the book's more than three hundred engravings. Roughly three quarters of the Treatise is concerned with the historical evolution of engraving, from the Egyptian hieroglyph stamps held at the British Museum through the masterful works of Albrecht Durer to the decline and reinvigoration of the art in the seventeenth and eighteenth centuries. Practical analysis permeates the text as a whole, with the final section explaining more fully how a block is chosen, cut, and even repaired. The book is therefore of interest to art historians, historians of the book, and even artist practitioners interested in nineteenth-century methods.

Charles Knight's The Old Printer was first published in 1854 and is partly a biography of William Caxton and partly an account of the development of the printing press and its role in English literature from the fifteenth century. William Caxton was not only the first printer in England, but also a prolific translator and importer of books. He established a printing press at Westminster and among the books printed there were Chaucer's Canterbury Tales and The Subtil Histories and Fables of Esop. Knight describes Elizabethan reading habits and traces the development of the types of books, papers and magazines that were most popular with the reading public in the mid-nineteenth century. The author is particularly interested in the availability of cheap popular literature as he regards this as an indication of the democratisation of society.

An important figure in the establishment of free libraries in the United Kingdom, Edward Edwards (1812-1886) wrote this study, first published in 1869, as a handbook intended for promoters and managers of free town libraries. The book outlines the formation and workings of public libraries, beginning with British examples and proceeding to compare the British experience with libraries abroad, especially in America. Edwards presents strong evidence of the increasing number, and improving management, of libraries at this time, and also stresses the strikingly diverse circumstances under which libraries in the United Kingdom and abroad were established. The volume is an important historical document in library studies, and a testimony to Edwards' commitment and contribution to the free library movement which have been an inspiration to later generations of professional librarians.

Originally published in 1828, Robert Maugham's Treatise on the Laws of Literary Property was the first comprehensive examination of copyright laws in Britain. Maugham was writing at a time when the rights of the 'scholar' and the 'artist' were under great debate, themes paralleled in the increasingly 'digital' literary climate of the 21st century. Dedicated to protecting the rights of the author, Maugham branded the introduction of copyright laws, and the debate surrounding the subject, a 'great literary controversy'. His Treatise served to inspire changes in copyright law and provides an accessible, detailed, and thorough discussion of the statutes that governed British authors and publishers in the nineteenth century.

This comprehensive volume, first published in 1864, covers the history of libraries from classical times to the nineteenth century, principally in England but also further afield. The author was an influential figure in the founding of municipal libraries in nineteenth-century Britain and regarded access to good libraries as crucial to education and civilisation. He emphasises the importance of individual collectors in the building of great libraries, and examines the personal holdings of many writers and scholars as well as members of royal families, the aristocracy, and clergy. Some of these are well known, others less commonly encountered in surveys of library history. Edwards also discusses the subsequent history of these collections, their dispersal or incorporation into other libraries. Other important topics covered by Edwards include the development and organisation of the State Paper Office and Public Records Office from the medieval period onwards.

Henry Benjamin Wheatley (1838-1917) was a prolific writer on bibliography, literature and the arts. As founder of the Index Society, and editor of The Bibliographer, he was also involved in the foundation of the Library Association. In that context he wrote several works on library topics. How to Catalogue a Library (1889) was aimed at smaller library collections, as existing systems, such as the manuals of the British Museum library or the Library of Congress, were too elaborate for smaller collections. Wheatley begins by defining the differences between catalogues, indexes and bibliographies, and then compares the existing rules. He discusses the physical form of catalogues and lists the minimum requirements for the catalogue of a small library. He also discusses cataloguing manuscripts and cross-referencing, and provides a useful index of Latin place names. The book contains much on the theory of organisation of information still of relevance today.

Henry Benjamin Wheatley (1838-1917) was an eminent bibliographer, author and editor who served as assistant secretary to the Royal Society of Arts between 1879 and his retirement in 1908. He also had a particular interest in the life of Samuel Pepys (1633-1703), founding the Samuel Pepys Club in 1903 and producing the most reliable edition of Pepys' diary until the Latham edition (1970-1983). This volume, first published in 1880, contains a detailed biography of Pepys. Using contemporary sources, Wheatley discusses Pepys' achievements during the period his diary was kept, his progression in the Navy Board and his resignation in 1689. Wheatley also provides fascinating descriptions of Restoration society, manners and customs, exploring the historical context of Samuel Pepys' life through discussions of various incidents taken from his diary. This volume remains a standard reference for the historical context of Pepys' diary and life.