Bøger i Anthem Nineteenth-Century Series serien

Hawthorne's Literary History picks up Hawthorne where The Province of Piety left him, extending the historical and theological reading there developed of the early Puritan and revolutionary tales Hawthorne wrote in birthplace Salem on to the contemporary tales, sketches, essays, and finally four published romances based on his stays in Brook Farm, Boston, Concord, Lenox, Salem, Liverpool, and Rome.A collection of essays rather than a single, continuously argued monograph, Hawthorne's Literary History collects together the essays Professor Colacurcio has written on Hawthorne since the publication of his ground-breaking Province of Piety, elaborating and refining his analyses of how Hawthorne's most memorable early tales "e;do history,"e; but proceeding then to explore the later productions of that author's distinguished career. The result, in Colacurcio's patient analysis, is something like Hawthorne's history of his own times.

'Colonial Childhoods' is about the politics of childhood in India between the 1860s and the 1930s. It examines not only the redefinition of the 'child' in the cultural and intellectual climate of colonialism, but also the uses of the child, the parent and the family in colonizing and nationalizing projects. It investigates also the complications of transporting metropolitan discourses of childhood, adulthood and expertise across the lines of race. Focused on reformatories and laws for juvenile delinquents, and boarding schools for aristocratic children, it illuminates a vital area of conflict and accommodation in a colonial society.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social ?embeddedness? of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

The essays in this volume demonstrate how the Rossettis ? from the celebrated Dante Gabriel and Christina to the comparatively neglected Maria and William ? drew upon a shared cultural experience, and describe how each contributed to the intellectual debates of the age and played a substantial role in their various fields. Bringing together significant contributions from some of the most renowned experts on the Rossettis, Outsiders Looking In provides important new perspectives on this talented family and their brilliant legacy.

A fascinating and comprehensive review of the position of the Rossettis within the social and cultural maelstrom of Victorian London.

This volume is both an essential resource for undergraduates and graduates studying Victorian and Decadent literature and an instructive work for enthusiastic readers of verse. The wide span of the 1872-1900 epoch enables readers to appreciate in great depth the literary developments that led to the fin de siècle, unlike most studies of this period, which focus solely on the 1890s, with no relation to cultural and historical developments in the previous two important decades.

The Constitution of Shelleys Poetry is a close philosophical reading of Prometheus Unbound from the perspective of the argument or drama of language played out in its pages. At its heart a four-chapter reading of Prometheus Unbound, the book is punctuated with readings of other Shelley works and prefaced with two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual Beauty', the companion poems inaugurating Shelleys poetic maturity; the other on 'Ode to the West Wind' originally published with Prometheus Unbound and here represented as 'signature' Shelley. The books one most distinguishing feature, from which several others derive, is its bringing the power and pertinence of Stanley Cavells thought to Shelleys poetry and to his explicitly articulated philosophical interest in language. The book urges and practises close reading, but it provides philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those now most generally assumed in literary studies. The books bringing of Cavells thought to Shelleys poetry would make two related but distinguishable contributions. There is, first of all, the reading of Shelleys poetry, which is new and persuasive both in many of its local moments and in its overall thrust. Second, there is the practical demonstration of the relevance and yield of Cavells thought for literary studies.

Bestsellers in Nineteenth Century America seeks to produce for students novels, poems and other printed material that sold extremely well when they first appeared in the United States.

The first ever book on Mumbai written in the Marathi language, this is a historically fascinating and revealing urban biography of nineteenth-century India.

An insightful and illuminating collection of essays on the political and cultural dynamics of travel literature in the nineteenth century.

¿Bakhtin and his Others¿ offers fresh theoretical insights into Bakhtin¿s ideas on (inter)subjectivity and temporality, research into his theoretical backgrounds, and case studies where these insights are employed in literary analysis.

'Edward Bouverie Pusey and the Oxford Movement' challenges accepted scholarly wisdom regarding the life, personality and work of this once-famous Victorian scholar and churchman.

In an age of radical transformation, the Victorians were caught between a vanishing past and an uncertain future. In the face of such a dizzying present, connecting with their past became for the Victorians a kind of survival strategy - this nostalgia took forms as diverse as their obsession with history and origins; the religious revivalism of the Oxford Movement; and the new Houses of Parliament, built in 1834, whose design looked longingly back to the Middle Ages.This rich and elegant work describes how the unsettled cultural climate provided fertile soil for the flourishing of elegy. John Rosenberg shows how the phenomenon of elegy pervaded the writing of the period, tracing it through the voices of individuals from Carlyle, Tennyson, Darwin and Ruskin, to Swinburne, Pater, Dickens and Hopkins. Finally, he turns from particular elegists to a common experience that touched them all - the displacement of the older idea of the earthly city as a New Jerusalem by the rise of a new image of the Victorian city as an industrial Inferno, a wasteland of sprawling towns and of rivers so polluted they caught on fire. This beautifully written meditation provides a vivid, compelling and authoritative portrait of an era that, in the face of an exhilarating and menacing present, longingly embraced the stability and comfort of a past both real and imagined.

The collection is comprised of twelve scholarly essays written by leading Chekhov specialists from around the world. Each essay analyses an interpretation of Chekhov by one of three prominent Russian thinkers of the Silver Age of Russian culture - Vasilii Rozanov, Dmitrii Merezhkovskii and Lev Shestov. This volume is particularly unique and valuable in that its main focus is placed on the perception of Chekhov''s art by those who existed on the border between literary criticism and philosophy. This is complemented by a literary critique of their accounts, and therefore remains faithful to Chekhov''s poetics. The collection thus examines the hitherto under-researched relationship between the origins and the results of the cultural phase that we now refer to as the Silver Age, and focuses specifically on the complex connections between Chekhov''s legacy and the Russian culture of that period. Through its stress on the philosophical perception of Chekhov, this book offers a thematically consistent and systematic revelation of new dimensions to Chekhov''s creative heritage. The essays are supplemented by biographical accounts of Rozanov, Merezhkovskii and Shestov.

The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. Guidebooks and manuals were produced in large numbers to help readers negotiate new cultural phenomena, and their concerns including image-making, diet, stress, lack of time, and the frustrations of public transport betray contemporary political tensions and social anxieties alongside the practical advice offered. French literature also underwent fundamental changes during this period, as writers such as Baudelaire, Flaubert, Gautier, Hugo and Zola embraced modernity and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, Changing France shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

The collection is comprised of twelve scholarly essays written by leading Chekhov specialists from around the world, each analysing an interpretation of Chekhov by one of three Russian thinkers of the Silver Age of Russian culture - Vasilii Rozanov, Dmitrii Merezhkovskii and Lev Shestov. It thus examines the hitherto under-researched relationship between the origins and the results of the cultural phase that came to be known as the Silver Age, and focuses specifically on the complex connections betweens Chekhov''s legacy and the Russian culture of that period.

Edward FitzGerald''s ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.

Love is often called a leap of faith. But can faith be described as a leap of love? In 'Touching God: Hopkins and Love', Duc Dau argues that the conversion of Gerard Manley Hopkins to Roman Catholicism was one of his most romantic acts.'Touching God' is the first book devoted to love in the writings of Hopkins, illuminating our understanding of him as a romantic poet. Discussions of desire in Hopkins' poetry have focused on his tortured and unrequited attraction to men. In contrast, Dau builds on existing queer and conventional readings of the poet's work by turning to theories of mutual touch propounded by Luce Irigaray and Maurice Merleau-Ponty. In the process, she uncovers the desire Hopkins actively cultivated and celebrated: his love for Christ. By analysing Hopkins' writings alongside his literary, philosophical and theological influences, she demonstrates that this love is what he called 'eros' or 'amor'.Dau argues that descriptions of the body and its acts of tenderness - notably touching - played a vital role in the poet's depictions of spiritual eroticism. By forging a new way of reading desire and the body in Hopkins' writings, this work offers fresh interpretations of his poetry, and contributes to contemporary interest surrounding the relationship between love, sexuality and spirituality.

Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the late nineteenth century taking as a starting point Said's Orientalism in order to investigate the visual, fantasised, and imperialist representations of the East, as well as the most exemplary translations of Oriental poems. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested '[t]here were, perhaps, as many Orientalisms as Orientalists.' By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for. Edward FitzGerald, William Bell Scott, the Brontë sisters, William Holman Hunt, D. G. Rossetti, William Morris, John La Farge, Algernon Swinburne, Walter Pater, the anonymous author of the Hongkong and the Hongkonians, Oscar Wilde, Arthur Symons, Rudyard Kipling, William Butler Yeats, Wilfred Thesiger, and Eric Newby play such a prominent role in the Oriental debate. By offering an extended discussion of their Oriental writings, this book will appeal to and benefit a wider range of audiences. The subject range of this volume of essays on late Victorian Orientalism explores nineteenth-century modes of art which position themselves as instruments of knowledge of the Orient. The contributors deploy variegated tools derived from textual studies and visual culture research in order to explore the many ways in which the late Victorians envisioned the East. It is this combined approach which makes possible the reconsideration of Orientalist literature, art and cinema.

'Bakhtin and his Others' offers fresh theoretical insights into Bakhtin's ideas on (inter)subjectivity and temporality, research into his theoretical backgrounds, and case studies where these insights are employed in literary analysis.

Focusing specifically on the poetic construction of India, ''Mapping the Nation'' offers a broad selection of poetry written by Indians in English during the period 1870-1920. Centring upon the ''mapping'' of India - both as a regional location and as a poetic ideal - this unique anthology presents poetry from various geographical nodal points of the subcontinent, as well as that written in the imperial metropole of England, to illustrate how the variety of India''s poetical imagining corresponded to the diversity of her inhabitants and geography.

Focusing specifically on the poetic construction of India, 'Mapping the Nation' offers a broad selection of poetry written by Indians in English during the period 1870?1920.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social ?embeddedness? of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

The first ever book on Mumbai written in the Marathi language, this is a historically fascinating and revealing urban biography of nineteenth-century India.

This study offers a literary analysis and theological evaluation of the Christian themes in the five great novels of Dostoevsky - 'Crime and Punishment', 'The Idiot', 'The Adolescent', 'The Devils' and 'The Brothers Karamazov'. Dostoevsky's ambiguous treatment of religious issues in his literary works strongly differs from the slavophile Orthodoxy of his journalistic writings. In the novels Dostoevsky deals with Christian basic values, which are presented via a unique tension between the fictionality of the Christian characters and the readers' experience of the existential reality of their religious problems.This study is based on a balanced method of literary analysis and theological evaluation of the texts, avoiding free theological association as well as hermeneutical mixing with the non-literary writings of Dostoevsky. The study starts by discussing the main recent studies of Dostoevsky's religion. It then describes Dostoevsky's original literary method in dealing with religious issues - his use of paradoxes, contradictions and irony. 'Christian Fiction and Religious Realism in the Novels of Dostoevsky' ultimately deconstructs Dostoevsky as an Orthodox writer, and reveals that the Christian themes in his novels are not ecclesiastical or confessionally theological ones, but instead are expressions of a fundamentally Christian anthropology and biblical ethics.

Edward FitzGerald''s ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.