Bøger i Analecta Husserliana serien

Studies on different aspects of Roman Ingarden's Philosophy have been published during the last thirty years. The publication by the present editor of For Roman Ingarden: Nine Essays in Phenomenology, a Festschrift for his 65th birthday, marked the beginning of an interest in his thought.

Art's creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose.

Art as mirror of life, human life as participating in a stage play, corresponds to the fervent search human being of the causes, reasons, puzzles of our existence which elude us in the concrete life.

There would be no reason to resurrect this question of modernity from its historical oblivion were it not for the fact that recent evolution in science and technology, impregnating culture, makes us wonder about the nature of reality, of the world we are living in, and of our status as living beings within it.

The controversy of flux and stasis as the groundwork of reality of Greek ancient philosophy reached its crux in the all encompassing doctrine of the logos by Heraclitus of Ephesus.

Phenomenology of Space and Time

Literature seeks in numerous channels of insight the dominant threads of "the sense of life", "the inward quest", "the frames of experience" in reaching the inward sources of what we call 'destiny' inspired by experience and temporality which carry it on.

This collection offers a critical assessment of transcendentalism, the understanding of consciousness, absolutized as a system of a priori laws of the mind, that was advanced by Kant and Husserl.

Transcendental phenomenology presumed to have overcome the classic mind-body dichotomy in terms of consciousness. Should we indeed dissolve the specificity of human consciousness by explaining human experience in its multiple sense-giving modalities through the physiological functions of the brain?

From Aristotle to the present, memory has been grasped as a trace or impression of lost reality - bridging physiological experience and consciousness.

The first of three volumes devoted to phenomenology, existentialism and their unfolding interaction, this book of fresh research covers the predecessors of existentialism and their adherents to existentialism's congruence with Christianity or atheism.

The second of three volumes devoted to phenomenology, existentialism and their unfolding interaction, this book explores the contemporary quests to elucidate rationality based on Kierkegaard's existentialism and on Husserl's phenomenology.

This is the dilemma about learning which p- cess of lifelong learning is related to self-actualization. During teaching and learning processes teacher and learner should focus on the learning rather than the teaching.

In the first part of The Divine in Husserl and Other Explorations a description is provided of Husserl's method in order to explain how he deals with the question of God from a philosophical perspective.

Inquiring into the logos of the phenomenological quest we discover, indeed, all the main constitutive spheres of reality and of the human subject involved in it, and concurrently, the logos itself comes to light in the radiation of its force (Tymieniecka).

Identifying quickly illusion with deception, we tend to oppose it to the reality of life. However, investigating in this collection of essays illusion's functions in the Arts, which thrives upon illusion and yet maintains its existential roots and meaningfullness in the real, we might wonder about the nature of reality itself.Does not illusion open the seeming confines of factual reality into horizons of imagination which transform it? Does it not, like art, belong essentially to the makeup of human reality?Papers by: Lanfranco Aceti, John Baldacchino, Maria Avelina Cecilia Lafuente, Jo Ann Circosta, Madalina Diaconu, Jennifer Anna Gosetti-Ferencei, Brian Grassom, Marguerite Harris, Andrew E. Hershberger, James Carlton Hughes, Lawrence Kimmel, Jung In Kwon, Ruth Ronen, Scott A. Sherer, Joanne Snow-Smith, Max Statkiewicz, Patricia Trutty-Coohill, Daniel Unger, James Werner.

In the midst of the current defiance of the transcendental certainties of cognition, this turn to the creative act of the human being represents a radical reversion to an approach to human powers that is predominated by the aesthetic virtualities of the Human Condition.

This collection is the final volume of a four book survey of the state of phenomenology fifty years after the death of Edmund Husserl.

Rationality in its various expressions and innumerable applications sustains understanding and our sense of reality.

The contemporary revival of interest in the Sacred as a category of philosophico-religious reflection here finds a radical reversal of the traditional direction, taking the Sacred as the starting point of the itinerary toward the Divine.

Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay.