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She Speaks: Monologues for Women

- Monologues for Women

Bag om She Speaks: Monologues for Women

A collection of contemporary Canadian monologues for women, intended for auditions, study or general interest and addressing themes of Adolescence, Body, Childhood Memories, Identity, Mothers, and Passion."A monologue must give voice to those who have been silenced. The speaker must urgently need to speak, to proclaim, to persuade, to incite, to inspire, to agitate, to fabricate, to contaminate or whitewash, to justify; the speaker needs approval, or absolution, or acclaim, or worship, or laughter or sympathy. The monologue can only happen if the speaker has an audience. The monologue is ultimately the electric interaction between the audience and the speaker."--from the introduction by Judith Thompson

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780887548284
  • Indbinding:
  • Paperback
  • Sideantal:
  • 156
  • Udgivet:
  • 21. september 2006
  • Størrelse:
  • 160x210x16 mm.
  • Vægt:
  • 342 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

Normalpris

Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af She Speaks: Monologues for Women

A collection of contemporary Canadian monologues for women, intended for auditions, study or general interest and addressing themes of Adolescence, Body, Childhood Memories, Identity, Mothers, and Passion."A monologue must give voice to those who have been silenced. The speaker must urgently need to speak, to proclaim, to persuade, to incite, to inspire, to agitate, to fabricate, to contaminate or whitewash, to justify; the speaker needs approval, or absolution, or acclaim, or worship, or laughter or sympathy. The monologue can only happen if the speaker has an audience. The monologue is ultimately the electric interaction between the audience and the speaker."--from the introduction by Judith Thompson

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