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Tian, or Heaven, had been used in China since the Western Zhou to indicate both the sky and the highest god. Examining excavated materials, Lillian Tseng shows how Han-dynasty artisans transformed various notions of Heaven-as the mandate, the fantasy, and the sky-into pictorial entities, not by what they looked at, but by what they looked into.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780674060692
  • Indbinding:
  • Hardback
  • Sideantal:
  • 480
  • Udgivet:
  • 25. juli 2011
  • Størrelse:
  • 198x249x28 mm.
  • Vægt:
  • 1226 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

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Tian, or Heaven, had been used in China since the Western Zhou to indicate both the sky and the highest god. Examining excavated materials, Lillian Tseng shows how Han-dynasty artisans transformed various notions of Heaven-as the mandate, the fantasy, and the sky-into pictorial entities, not by what they looked at, but by what they looked into.

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