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Memoirs of Charles Brockden Brown, the American novelist. By

- William Dunlap / with selections from his original letters and miscellaneous writings /

Bag om Memoirs of Charles Brockden Brown, the American novelist. By

William Dunlap (February 19, 1766 - September 28, 1839) was a pioneer of American theater. He was a producer, playwright, and actor, as well as a historian. He managed two of New York City's earliest and most prominent theaters, the John Street Theatre (from 1796-98) and the Park Theatre (from 1798-1805). He was also an artist, despite losing an eye in childhood. He was born in Perth Amboy, New Jersey, the son of an army officer wounded at the Battle of Quebec in 1759. In 1783, he produced a portrait of George Washington, now owned by the United States Senate, and later studied art under Benjamin West in London;another teacher was Abraham Delanoy, with whom he had a handful of lessons in New York. After returning to America in 1787, he worked exclusively in the theater for 18 years, resuming painting out of economic necessity in 1805. By 1817, he was a full-time painter

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781981446483
  • Indbinding:
  • Paperback
  • Sideantal:
  • 118
  • Udgivet:
  • 6. december 2017
  • Størrelse:
  • 203x254x6 mm.
  • Vægt:
  • 249 g.
  • 8-11 hverdage.
  • 6. december 2024
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William Dunlap (February 19, 1766 - September 28, 1839) was a pioneer of American theater. He was a producer, playwright, and actor, as well as a historian. He managed two of New York City's earliest and most prominent theaters, the John Street Theatre (from 1796-98) and the Park Theatre (from 1798-1805). He was also an artist, despite losing an eye in childhood. He was born in Perth Amboy, New Jersey, the son of an army officer wounded at the Battle of Quebec in 1759. In 1783, he produced a portrait of George Washington, now owned by the United States Senate, and later studied art under Benjamin West in London;another teacher was Abraham Delanoy, with whom he had a handful of lessons in New York. After returning to America in 1787, he worked exclusively in the theater for 18 years, resuming painting out of economic necessity in 1805. By 1817, he was a full-time painter

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