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Offering a broad overview of memorialization practices across Europe and the Mediterranean, this book examines local customs through particular case studies. These essays explore complementary themes through the lens of commemorative art, including social status; personal and corporate identities; the intersections of mercantile, intellectual, and religious attitudes; upward (and downward) mobility; and the cross-cultural exchange.

Composed for King Henry VI in the middle of the Wars of the Roses, Of Knyghthode and Bataile adapts the most widely used military manual in the Middle Ages into English verse. This edition of the poem also provides a contextualizing introduction and copious notes and glosses to assist the modern student with understanding the text.

A new edition of Of Knyghthode and Bataile, a fifteenth-century Middle English verse adaptation of the late Roman Epitoma rei militaris by Vegetius.

Consider the role, position and contributions of medieval women; the development of Christian marriage, especially in the High Middle Ages; and the secular family with its legal and emotional relationships.

Haimo of Auxerre's Commentary on the Book of Jonah was probably written as a study text for scholars in the monastery.

A "bourde" is an English comedic poem similar to a French fabliau but with a moralizing element and less of an emphasis on violence. Collection of ten Middle English bourdes, specifically designed for students, and has contextualizing introductions, copious notes, glosses, and a glossary..

At the end of the 15th century, Gavin Douglas devised his ambitious dream vision The Palyce of Honour in part to signal a new scope to Scottish literary culture. For all its comedy, it stands as a reminder to James IV of Scotland that poetry casts a powerful light upon the arts of rule. Second edition. Suitable for classrooms at all levels.

Essay honoring Bonnie Wheeler for her many scholarly achievements and her wide-ranging contributions to medieval studies in the United States. There are sections on Old and MEL, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women.

The two texts of the dialogue presented here, a Latin version printed c. 1488 and a Middle English translation printed in 1492, preserve lively, entertaining and revealing exchanges between the Old Testament wisdom figure Solomon and Marcolf, a medieval peasant who is ragged and foul-mouthed but quick-witted and verbally astute.

First modern edition of the poem since 1863, presents it to a new audience of students. Attributed to the mystic Richard Rolle, it became one of the most popular poems in medieval England and appears in more than any other Middle English poem. Extensive annotations and gloss, accessible to students at all levels in Middle English.

Features a section of appreciations of Bryce Lyon from the three editors, R. C. Van Caenegem, and Walter Prevenier, followed by three sections on the major areas on which Lyon's research concentrated: the legacy of Henri Pirenne, constitutional and legal history of England and the Continent, and the economic history of the Low Countries.

Volume 2 Part 1 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Volume 2 Part 2 of a parallel-text edition that contains all four versions of Piers Plowman specifically designed to facilitate study of the parallel text (Vol 1) alongside both the textual notes (Vol 2, Part 1) and the commentary/glossary (Vol 2, Part 2), and is intended to make the entire edition available to as many students as possible.

Aims at a comprehensive, descriptive list of all authors and works known in Britain between c. 500 and c. 1100 CE. This volume brings up to date the entries on apocrypha first published in Sources of Anglo-Saxon literary culture: a trial version (1990).

Originally delivered as a lecture at the Bayerische Akademie der Wissenschaften, this volume was published in 2002 as "AElfric von Eynsham und seine Zeit," introducing, as Gneuss says, "an Anglo-Saxon author . . . who was the first, and for a long time the only, master of prose written in English."

The essays vary in subject, discipline, and methodological approach, they center on the interpretation of the material world, whether in literature, stone, or the artifacts removed from an archaeological dig. The essays deal mainly with the Germanic and Celtic worlds, but incorporate motifs from Eastern Christian and Roman cultures.

This particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes with by far the largest number of works of unknown authorship.

Ancrene Wisse or the Anchoresses Guide (Cambridge, Corpus Christi College, MS 402), written sometime roughly between 1225 and 1240, represents a revision of an earlier work, usually called the Ancrene Riwle or Anchorites' Rule, a book of religious instruction for three lay women of noble birth.

The poem that Richard Maidstone wrote on the metropolitan crisis of 1392 reports information about the royal entry that concluded the crisis in greater detail than any other source. The poem is not primarily a report, however; like Maidstone's other writings, it is above all an ideologically driven literary intervention, produced at a particular moment, addressing a particular political circumstance. . . . Maidstone's Concordia shows Anglo-Latin poetry, on a specific occasion, in the process of making itself a public poetry a broadly appealing, flexible, legible medium for addressing public issues.

Ava is the first woman whose name we know who wrote in German. She wrote her poem - or poems - on the lives of John the Baptist and Jesus Christ sometime early in the twelfth century, no later than 1127.

For all its spiritual cheerfulness and obvious importance as a tale to conclude tales, The Parson's Tale seems to have inspired sentence and solaas in remarkably few critics. . This rethinking of traditional scholarship on The Canterbury Tales will be of great interest to Chaucer scholars and students of medieval literature.

In this volume, John Metham's classic romance Amoryus and Cleopes is made available to a wider audience of students and teachers of Middle English with its contextualizing introduction, extensive notes, and helpful gloss. This fifteenth century romance, written by John Metham, creatively reworks Ovid's tale of Pyramus and Thisbe's tragic love from his Metamorphoses. Metham draws on a wide variety of popular romances and particularly Chaucer's Ovidian works to create an inventive romance of his own with a decidedly moral aim. This volume will be of interest to students of Middle English romance and all those interested in the literary legacy of Chaucer.

The commentary of Rabbi Ezra ben Solomon of Gerona (d. ca. 1245) on the Song of Songs is one of the most important texts of the first clearly identified circle of Kabbalists, those operating in the Catalonian town of Gerona at the middle of the thirteenth century.

This volume stands as a selection of works presented sessions at the thirteenth International Congress on Medieval Studies, helping to "fortify the strength of interest and inquiry directed toward rhetoric's symbiosis with historiography in centuries past".

One of the most ambitious attempts in medieval vernacular poetry to recount the story of the Trojan war. John Lydgate, monk of the great Benedictine abbey of Bury St. Edmunds in Suffolk, began composing the poem in October 1412 on commission from Henry, Prince of Wales, later King Henry V and he completed it in 1420.

Illustrates how, in the devout medieval English sensibility, doctrine was vitally connected to affective receptivity. Narrative moods range from love-longing and passion to bitter grief and sorrowful lament, feelings from the intimately personal state of being God's created creature, individually answerable to divine law and love.

Surveys of the history of biblical exegesis and, in particular, the history of Apocalypse commentaries rarely fail to allude to Nicholas of Lyra O.F.M. (1270-1349) as the greatest biblical exegete of the fourteenth century.

Primarily for students of medieval history, nothing from a specifically literary text has been included. Only material from record sources is provided as these are the only written materials that permit some measure of personalized contact with specific men and women from the past, so this gives them a special importance.

This fresh classroom edition of the Middle English poems of Laurence Minot, with its introduction, gloss, notes, and glossary, enables students of all levels to encounter Minot's poetry.

This book brings together and translates from the medieval Latin a series of commentaries on the biblical book of Ruth, with the intention of introducing readers to medieval exegesis or biblical interpretation. . . . Ruth is the shortest book of the Old Testament, being only four chapters long. It is partly for this reason that it lends itself so well to a short book introducing medieval exegesis; but it is also of interest in itself. Ruth poses a number of exegetical problems, including the basic one of why such an odd book, in which God never appears as an actor, and with a central character who was not an Israelite but a Moabite outsider, and a woman at that, should find a place in the canon of Scripture.