Bøger udgivet af Fordham University Press

"What makes the modern university different from any other corporation?" asked Columbia's Andrew Delbanco recently in the New York Times. "There is more and more reason to think: less and less," he answered.In this provocative book, Frank Donoghue shows how this growing corporate culture of higher education threatens its most fundamental values by erasing one of its defining features: the tenured professor.Taking a clear-eyed look at American higher education over the last twenty years, Donoghue outlines a web of forces--social, political, and institutional--dismantling the professoriate. Today, fewer than 30 percent of college and university teachers are tenured or on tenure tracks, and signs point to a future where professors will disappear. Why? What will universities look like without professors? Who will teach? Why should it matter? The fate of the professor, Donoghue shows, has always been tied to that of the liberal arts --with thehumanities at its core. The rise to prominence of the American university has been defined by the strength of the humanities and by the central role of the autonomous, tenured professor who can be both scholar and teacher. Yet in today's market-driven, rank- and ratings-obsessed world of higher education, corporate logic prevails: faculties are to be managed for optimal efficiency, productivity, and competitive advantage; casual armies of adjuncts and graduate students now fill the demand for teachers.Bypassing the distractions of the culture wars and other "crises," Donoghue sheds light on the structural changes in higher education--the rise of community colleges and for-profit universities, the frenzied pursuit of prestige everywhere, the brutally competitive realities facing new Ph.D.s --that threaten the survival of professors as we've known them. There are no quick fixes in The Last Professors; rather, Donoghue offers his fellow teachers and scholarsan essential field guide to making their way in a world that no longer has room for their dreams.First published in 2008, "The Last Professors" have largely had its arguments borne out in the interim, as the percentage of courses taught by tenured professors continues to dwindle. This new edition includes a substantial Preface that elaborates on recent developments and offers tough but productive analysis that will be crucial for today's academics to heed.

An indispensable resource for scholars and students of James Joyce, Joyce Studies Annual gathers essays by foremost scholars and emerging voices in the field.

This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of "religion," on the one hand, and "theology," on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religion.

An indispensable resource for scholars and students of James Joyce, Joyce Studies Annual gathers essays by foremost scholars and emerging voices in the field.

"The Political Logic of Experience argues that experience and phenomenology are essentially political, with profound implications for our understanding of subjectivity, epistemology, experience, the phenomenological method, and politics. Drawing on work from across the phenomenological tradition, it develops an account of expression as the internal relationship uniting knowing, being, and doing with both transcendental conditions and empirical phenomena. This expressive unification generates subjectivity as an expression of particular communities and subjects as an expression of subjectivity. Subjectivity and experience are therefore both revealed to be inherently political prior to their expression in particular subjects. In clarifying the political nature of experience and the constitution of subjectivity, the book puts the work of critical phenomenology in dialogue with transcendental phenomenology to reveal the need for a phenomenological politics: a field tasked with explaining the expressive, co-constitutive, and necessarily political relationships between subjects and their communities. It is only through such a phenomenological politics that we can properly make sense of the epistemological, ontological, and practical significance of issues like racism and sexism, problems that concern our very experience of the world. The book reveals phenomenology to be both essentially political and politically essential, as it emerges within particular communities and shapes and transforms how individuals within those communities experience the world. Touching on issues of transcendental phenomenology, political strategy, historical interpretation and inter-disciplinary phenomenological method, the book argues for foundational claims pertaining to phenomenology, politics, and social criticism that will be of interest to those working in philosophy, gender studies, race, queer theory, transcendental and applied phenomenology, and beyond"--

The untold story of African-born migrants and their vibrant African influence in Harlem.From the 1920s to the early 1960s, Harlem was the intellectual and cultural center of the Black world. The Harlem Renaissance movement brought together Black writers, artists, and musicians from different backgrounds who helped rethink the place of Black people in American society at a time of segregation and lack of recognition of their civil rights. But where is the story of African immigrants in Harlem's most recent renaissance? Africans in Harlem examines the intellectual, artistic, and creative exchanges between Africa and New York dating back to the 1910s, a story that has not been fully told until now.From Little Senegal, along 116th Street between Lenox Avenue and Frederick Douglass Boulevard, to the African street vendors on 125th Street, to African stores, restaurants, and businesses throughout the neighborhood, the African presence in Harlem has never been more active and visible than it is today. In Africans in Harlem, author, scholar, writer, and filmmaker Boukary Sawadogo explores Harlem's African presence and influence from his own perspective as an African-born immigrant. Sawadogo captures the experiences, challenges, and problems African migrs have faced in Harlem since the 1980s, notably work, interaction, diversity, identity, religion, and education. With a keen focus on the history of Africans through the lens of media, theater, the arts, and politics, this historical overview features compelling character-driven narratives and interviews of longtime residents as well as community and religious leaders.A blend of self-examination as an immigrant member in Harlem and research on diasporic community building in New York City, Africans in Harlem reveals how African immigrants have transformed Harlem economically and culturally as they too have been transformed. It is also a story about New York City and its self-renewal by the contributions of new human capital, creative energies, dreams nurtured and fulfilled, and good neighbors by drawing parallels between the history of the African presence in Harlem with those of other ethnic immigrants in the most storied neighborhood in America.

Presents a unique view of social problems and conflicts over urban space from the cab of an ambulance.While we imagine ambulances as a site for critical care, the reality is far more complicated. Social problems, like homelessness, substance abuse, and the health consequences of poverty, are encountered every day by Emergency Medical Services (EMS) workers. Written from the lens of a sociologist who speaks with the fluency of a former Emergency Medical Technician (EMT), Medicine at the Margins delves deeply into the world of EMTs and paramedics in American cities, an understudied element of our health care system.Like the public hospital, the EMS system is a key but misunderstood part of our system of last resort. Medicine at the Margins presents a unique prism through which urban social problems, the health care system, and the struggling social safety net refract and intersect in largely unseen ways. Author Christopher Prener examines the forms of marginality that capture the reality of urban EMS work and showcases the unique view EMS providers have of American urban life. The rise of neighborhood stigma and the consequences it holds for patients who are assumed by providers to be malingering is critical for understanding not just the phenomenon of non- or sub-acute patient calls but also why they matter for all patients. This sense of marginality is a defining feature of the experience of EMS work and is a statement about the patient population whom urban EMS providers care for daily. Prener argues that the pre-hospital health care system needs to embrace its role in the social safety net and how EMSs' future is in community practice of paramedicine, a port of a broader mandate of pre-hospital health care. By leaning into this work, EMS providers are uniquely positioned to deliver on the promise of community medicine.At a time when we are considering how to rely less on policing, the EMS system is already tasked with treating many of the social problems we think would benefit from less involvement with law involvement. Medicine at the Margins underscores why the EMS system is so necessary and the ways in which it can be expanded.

A colorful tale of a singular New York City neighborhood and the personalities who make it specialTo outsiders or East Siders, Riverside Park and Riverside Drive may not have the star status of Fifth Avenue or Central Park West. But at the city's westernmost edge, there is a quiet and beauty like nowhere else in all of New York. There are miles of mansions and monuments, acres of flora, and a breadth of wildlife ranging from Peregrine falcons to goats. It's where the Gershwins and Babe Ruth once lived, William Randolph Hearst ensconced his paramour, and Amy Schumer owns a penthouse. Told in the uniquely personal voice of a longtime resident, Heaven on the Hudson is the only New York City book that features the history, architecture, and personalities of this often overlooked neighborhood, from the eighteenth century through the present day.Combining an extensively researched history of the area and its people with an engaging one-on-one guide to its sights, author Stephanie Azzarone sheds new light on the initial development of Riverside Park and Riverside Drive, the challenges encountered-from massive boulders to "e;maniacs"e;-and the reasons why Riverside Drive never became the "e;new Fifth Avenue"e; that promoters anticipated. From grand "e;country seats"e; to squatter settlements to multi-million-dollar residences, the book follows the neighborhood's roller-coaster highs and lows over time. Readers will discover a trove of architectural and recreational highlights and hidden gems, including the Drive's only freestanding privately owned villa, a tomb that's not a tomb, and a sweet memorial to an eighteenth-century child. Azzarone also tells the stories behind Riverside's notable and forgotten residents, including celebrities, murderers, a nineteenth-century female MD who launched the country's first anti-noise campaign, and an Irish merchant who caused a scandal by living with an Indian princess.While much has been written about Central Park, little has focused exclusively on Riverside Drive and Riverside Park until now. Heaven on the Hudson is dedicated to sharing this West Side neighborhood's most special secrets, the ones that, without fail, bring both pleasure and peace in a city of more than 8 million.

A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York.From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group's unofficial "e;Chant Queen,"e; writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight.Using the author's own story, "e;the activist education of a well-intentioned, if somewhat nave nice gay Jewish theater queen,"e; Boy with the Bullhorn intertwines Goldberg's experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic.Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group's triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart.A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP-the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness-and the exhilarating adrenaline rush of activism.

Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality.Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish. Ontological concerns are reflected in Eliot's engagement with Aristotle's theory of the soul and Empson's Buddhism. These arguments about being affect minds and bodies and call into question sexual normativity: Eliot glances at a sodomitical male-male mode of literary transmission; Woolf produces a Judith Shakespeare to model androgynous being; Empson refuses to distinguish activity from passivity to rewrite gender difference.The work of one of our leading literary and cultural critics, Being of Two Minds spans centuries to show how the most compelling and surprising ideas about mind, experience, and existence not only move between early modernity, high modernism, and our own moment, but are also constituted through that very movement between times and minds.

In this practical and down-to-earth book, the late Archbishop of Westminster explores the joys and problems of Christian living according to the Rule of St. Benedict.

Lawrence Park is the story of Bronxville's turn-of-the-century art colony: the artists and their art, the houses they lived in and how the village of Bronxville grew up around them. In the years between 1890 and 1920, Lawrence Park was the home of two dozen nationally prominent painters, writers and architects. William Smedley painted distinguished society portraits. Will Low designed murals for government buildings and private mansions. Anna Winegar's Impressionist garden scenes illustrated horticultural books by Louise Beebe Wilder. Alice Wellington Rollins was a regular contributor to the day's literary magazines. Edmund Clarence Stedman was called the Poet of Wall Street. W. W. Kent and William A. Bates designed the Park's single-family "cottages" in a pleasing variety of turn-of-the-century styles. More than 50 years after Lawrence Park ceased to exist as an art colony, it was listed on the National Register of Historic Places, in recognition of its historic and architectural significance. Eighty of the early houses remained, updated for modern living but proudly displaying ornamented brown-shingle facades, artist-studio windows and other period features. The narrow roads of the neighborhood also survived, winding up and down a hill that gave the Park its character and its common name, the Hilltop. Centuries-old oaks were still standing, markers of a time before William Lawrence arrived and of the sensitivity to nature with which he planned his development. The principal text by Loretta Hoagland covers the growth of Lawrence Park from 1890 to 1929. Separate chapters on art and architecture by scholars in the field illuminate the paintings of the art colony members and place inperspective the architecture of William Bates. Extensive captions by resident-historians add newly discovered historical details. Brendan Gill and Nardi Reeder Campion have contributed a Foreword and Afterword, respectively, recalling their years as homeowners in the Park. And, featured on almost every page of the book, more than 226 historic and new black-and-white photographs show Lawrence Park both as it was and as it is now.

Martin Luther (1483¿1546) is a classic Christian author who spearheaded the Reformation and whose witness has relevance for life in the present-day world. Grace and Gratitude presents two texts that represent his spirituality. Because Luther wrote so much in so many different genres, the choice of only two texts provides a limited taste of his spirituality. But they open up a specific, central, and distinctive mark of his conception of the structure of Christian life. The name of the theme, justification by grace through faith, often spontaneously correlates with Luther¿s name and his theology. The phrase points to a key theological doctrine that centered his thinking; it lay so deeply ingrained in his outlook that it sometimes explicitly but always tacitly shaped all his early theological views and bestowed a distinctive character to his ethics and spirituality. The two texts are chosen to illustrate how the conviction represented by the phrase draws its authority from scripture, especially Paul, and was discursively analyzed in an early foundational work on Christian life, The Freedom of a Christian. These texts do not represent all there is to say about spirituality in Luther¿s thought by any means, and this part should not be taken for the whole. But the coupling of these texts penetrates deeply into what may be called Luther¿s Christian spirituality of gratitude.

If Thomas Aquinas was born in 1225, as is commonly thought, then he died before reaching the age of fifty after producing the single most influential systematic theology of the Western Christian tradition. He did this with a formula: He internalized the thought of Aristotle as it was being introduced into western Europe and translated into Latin, and he in turn ¿translated¿ Christianity into this Aristotelian language. One can use the principles of hermeneutics outlined in Retrieving the Spiritual Teaching of Jesus of this series to analyze what was going on as Aquinas went through some of the basic doctrines of the Church in his Summa Theologiae. He laid out their contents by answering an exhaustive series of questions and responding to each of them in intricate detail. The model for each question and answer was drawn directly from the pattern of learning at the University of Paris. Although systematic and abstract, it also enabled an extensive conversation with the tradition of classical theologians and his own contemporaries. This may seem quite distant from spiritual life on the ground, but the method produced a clear understanding of the structure of spiritual life in terms of its goal and the means of attaining it. Aquinas¿s analysis of grace¿how it enabled genuine Christian spirituality, empowered the virtues, and led to eternal life¿constitutes a classic substructure of Western Christian spirituality that became all the more distinctive when Reformation spiritualities offered alternatives to it.

Western Monastic Spirituality presents three authors as individuals, certainly, but also as textual informants who, like road markers, represent a line of the development of a Western monastic spiritual tradition. John Cassian (ca. 360¿435) helped bring the wisdom of northern Egyptian ascetical life of the late fourth century to southern France in the early fifth century. Caesarius of Arles (468/470¿542), drawing on his own monastic experience and Augustine¿s monastic rule, composed a rule for a women¿s monastery in the city of Arles. Not many years later, Benedict wrote the most influential rule in Western monasticism, one that still regulates the lives of monks today all over the world. These three texts, when looked at serially and together, offer a theology of monastic spirituality, an example of a relatively short but comprehensive early monastic rule, and a present day Benedictine interpretation of how Benedict¿s monastic spirituality can be summed up in a short present day digest of his rule. Reflection on early Western monasticism retrieves some basic Christian spiritual values that should inform life today outside the monastery in a busy, secular culture.

"Represents some of the best, cutting-edge thinking available on multiple forms of social upheaval and related grassroots movements. From the January 2017 Women's March to the August 2017 events in Charlottesville and the 2020 protests for racial justice in the wake of George Floyd's murder, social upheaval and protest have loomed large in the United States in recent years. The varied, sometimes conflicting role of religious believers, communities, and institutions in such events and movements calls for scholarly analysis. Arising from a conference held at the College of the Holy Cross in November 2017, Religion, Protest, and Social Upheaval gathers contributions from ten scholars in religious studies, theology and ethics, and gender studies-from seasoned experts to emerging voices-to illuminate this tumultuous era of history and the complex landscape of social action for economic, racial, political, and sexual and gender justice. The contributors consider the history of resistance to racial capitalist imperialism from W. E. B. Du Bois to today; the theological genealogy of the capitalist economic order, and Catholic theology's growing concern with climate change; affect theory and the rise of white nationalism, theological aesthetics, and solidarity with migrants; differing U.S. Christian churches' responses to the "revolutionary aesthetics" of the Black Lives Matter movement; Muslim migration and the postsecular character of Muslim labor organizing in the United States; shifts in moral reasoning and religiosity among U.S. women's movements from the 1960s to today; and the intersection of heresy discourse and struggles for LGBTQ+ equality among Korean and Korean-American Protestants. With this pluralistic approach, Religion, Protest, and Social Upheaval offers a snapshot of scholarly religious responses to the crises and promises of the late 2010s and early 2020s. Representing the diverse coalitions of the religious left, it provides groundbreaking analysis, charts trajectories for further study and action, and offers visions for a more hopeful future"--

This book offers theological, historical, and sociological treatments of sexuality in the Orthodox Christian world. It presents both academic and pastoral reflections on sex, seeking to open up the conversation about homosexuality and sexual diversity within Orthodox Christianity, aiming to create an agora for discussing the sexualities that are often thought of as untraditional.

"Represents some of the best, cutting-edge thinking available on multiple forms of social upheaval and related grassroots movements. From the January 2017 Women's March to the August 2017 events in Charlottesville and the 2020 protests for racial justice in the wake of George Floyd's murder, social upheaval and protest have loomed large in the United States in recent years. The varied, sometimes conflicting role of religious believers, communities, and institutions in such events and movements calls for scholarly analysis. Arising from a conference held at the College of the Holy Cross in November 2017, Religion, Protest, and Social Upheaval gathers contributions from ten scholars in religious studies, theology and ethics, and gender studies-from seasoned experts to emerging voices-to illuminate this tumultuous era of history and the complex landscape of social action for economic, racial, political, and sexual and gender justice. The contributors consider the history of resistance to racial capitalist imperialism from W. E. B. Du Bois to today; the theological genealogy of the capitalist economic order, and Catholic theology's growing concern with climate change; affect theory and the rise of white nationalism, theological aesthetics, and solidarity with migrants; differing U.S. Christian churches' responses to the "revolutionary aesthetics" of the Black Lives Matter movement; Muslim migration and the postsecular character of Muslim labor organizing in the United States; shifts in moral reasoning and religiosity among U.S. women's movements from the 1960s to today; and the intersection of heresy discourse and struggles for LGBTQ] equality among Korean and Korean-American Protestants. With this pluralistic approach, Religion, Protest, and Social Upheaval offers a snapshot of scholarly religious responses to the crises and promises of the late 2010s and early 2020s. Representing the diverse coalitions of the religious left, it provides groundbreaking analysis, charts trajectories for further study and action, and offers visions for a more hopeful future"--