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Many years ago, in the 1970s, in pursuit of a good life and a sustainable future, Judith and Patrick built a house in the Adelaide Hills. They raised the kids there. As time wore on, bit by bit, the family drifted both from the house and the dream it was born from. Now its Christmas, the first grandchild is on the way and all three generations have gathered again. In the tinderbox heat of summer, Judith is at a crossroads: can the life they pursued in the first place come good again? Warm, funny, deeply felt, The Great Fire is the work of a brilliant new writing talent, Kit Brookman. Its a play about family, politics and life, about large hopes, uncertainty and the fading triumph of Australian social democracy. In short, The Great Fire is a play about us. The Great Fire was originally commissioned by Belvoir in association with ArtsNSW through the NSW Philip Parsons Fellowship for Emerging Playwrights (previously the Young Playwrights Award). (5 acts, 5 male, 5 female).

A learnéd fool is more of a fool than an ignorant fool can be. Juliet and Clinton are in love. Guileless, sweet, all-encompassing love. However, love is not without its impediments. Standing in the way of their eternal happiness are Juliets mother and sister, whose disapproval is of the most high-brow kind. Justin Fleming has audaciously brought Molieres Les Femmes Savantes (The Learned Ladies) screaming into the 21st century and created a sassy, Sydney story filled with linguistic dexterity, wit and rhyme. (5 acts, 2 male, 3 female).

The human and political story of the last man to be executed in Australia, Remember Ronald Ryan won the 1995 Victorian Premier's Literary Award. Dickins portrays the man behind the legend as loveable, cheeky, courageous, and wretched. (25 male, 9 female).

Five plays are intertwined in one in this story of fringe dwellers living in an age of social, economic and moral deprivation. Mostly without work, and politically disengaged, they work at survival. ''With intelligence, well-judged humour and the searching qualities of truly memorable theatre, the play peels away political propaganda and notions of correctness to present a candid, difficult, searing portrait of the poor and marginalised.'' - Sydney Morning Herald Who''s Afraid of the Working Class? was adapted into the feature film Blessed.

Kiki, Bob and Jumper are best friends with extravagant and idiosyncratic dreams. Kiki wants to dance the tango on Mount Kilimanjaro with a bearded lady, Jumper is in love with a snake called Trix and Bob's an ordinary bloke who might just hold the secret to time travel. Join them for the wild ride. Cut Snake is a comedy about growing up, dying young, and being extraordinary no matter what. (1 make, 2 female).

Brutality in the workplace, rage in the streets, seething in the home. The vulnerability of political parties when they''ve forgotten why they''re there. The intellectual torpor of modern Australia. How power corrupts. The Blind Giant is Dancing is an angry and tender depiction of an idealist, Allen Fitzgerald, who becomes so embroiled in a party power struggle that he loses sight of what''s at stake. When it premiered in 1983, The Blind Giant is Dancing felt like a sharp slap in the face. Now, in an age of ICAC, Union credit cards, speculative housing bubbles, a pulverised working class and vapid leadership in the 21st century, this Australian classic has lost none of its brute force. (10 male, 5 female).

This is a one-woman play that tells the story of Christie, a homeless woman in a world detached, unforgiving and destructive. It gives voice to the fallen and dispossessed, to those who exist at the edge of safety, at the point of being undone. It speaks of madness, denial, ignorance and free-falling poverty. Utterly devastating, yet written with Daniel Keene's characteristic lyricism, Mother is wrought with tenderness, violence and loneliness in equal measure. (1 act, 1 female).

'Back in Kenya -- in the camps -- they say we can stay there for free. But everybody wants something. The journalists want our stories; the NGOs want us to sing in their choirs; the SPLA wants our sons as soldiers. The spirits of our ancestors want us to honour them...' Maggie Stone is a battle axe. She is rude, prickly and does not owe the world a thing. This makes her an ideal loans officer. But when a family of strangers finally awakens her compassion, Maggie will learn first-hand the politics of charity. For even favours require gratitude, investment requires returns, and an outstanding debt awaits satisfaction. And soon the life Maggie borrowed will need to be paid for. Maggie Stone is about loneliness and debt, the risk that comes from asking others of help and the cost of living a life owing nobody. Nominated for the Western Australian Premier's Script Award, Maggie Stone by Caleb Lewis paints an unflinchingly honest yet ultimately empathetic portrait of modern Australia.

This play tells the story of Olive Pink -- a trailblazing Aboriginal land rights activist and environmentalist. Ridiculed by her peers and shunned by the Alice Springs community for espousing ideals that were considered to be outlandish she was viewed as a public nuisance, to be barely tolerated. However, due to her vigour and vision the Olive Pink Botanical Garden was established in Alice Springs. "The First Garden" also touches on key narratives in modern Australian identity, seamlessly incorporating Aboriginal rights, environmentalism, the Gallipoli legend and feminism into its gentle rhythmic tone. This reflects a maturation of our society, where we are prepared not only to acknowledge but also to reconcile. (1 act, 2 male, 1 female).

In the countdown to Christmas the disappearance of a young girl rocks a small town community instigating a chain of events that will alter the lives of everyone involved. For Simon, the world he has built here was a second chance; though still ridden with guilt, in the eyes of the law he has paid for his mistake. Given a new identity, new history and a single confidante, he has successfully buried the truth of his past; even from Jessica, the woman he loves. Will events force Simon to step outside the prison his new identity has become and does the community have the right to know his true identity? (2 acts, 3 male, 2 female).

The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit in him, which has survived 'civilisation'.

One of Australia's Living National Treasures and its best known and most widely performed playwright, David Williamson brings us five of his latest works. Now in his 70s, age has not wearied him, and indeed this collection exemplifies Williamson's uncanny ability to be timely, relevant and thoroughly modern. As director Sandra Bates notes in her introduction Williamson is unique in Australian theatre because of his ability to see and understand Australia's current circumstances, our society's circumstances right here, right now; indeed to be ahead of what is current'. "At Any Cost?" deals with delicate end-of-life issues, and the huge costs of keeping extremely ill patients alive. "Managing Carmen" -- A secretively cross-dressing AFL superstar threatens lucrative advertising dollars. "Nothing Personal" -- two highly ambitious book publishing executives go head-to-head in an all-out war over the top job -- and unsurprisingly in 2012 it's two women! "Rhinestone Rex and Miss Monica" -- two forty-something lonely singles come together in a delightful romantic comedy. "When Dad Married Fury" -- this play has it all -- the GFC, a billionaire, intense inheritance battles and a Tea-Party beauty queen!

In Mr. Melancholy three hermits, living in a lighthouse, discover a runaway circus clown washed ashore. In Footprints on Water a religious zealot wills God to wipe out his morally bankrupt village so he can restart the world.

In 1948, Angela left Malta. Having gathered up five children, she sailed out on the Strathnavar, leaving poverty and the war behind. Her destination: Australia. In Surry Hills, she could build a bright new life. If only she could first learn the language, finish shoring up their dilapidated house, find new friends, get the racist neighbour off her back and keep her son away from sly grog queen Kate Leigh's kids. Back in Malta, someone else has made a journey. Making his way along Kalkara's glistening harbourside, a young man with flowing black hair has returned to claim his past. Paul Capsis is walking home. A journey that begins at a kitchen table becomes a sprawling family history and a fitting tribute to a much-loved matriarch. (1 male or 1 female).

Brett Sprague is just out of jail. Reunited with his mum Sandra and brothers Glenn and Stevie, he's ready to reclaim his life. But things have changed while Brett has been inside. Girlfriend Michelle may have moved on, Glenn's moved out and Stevie is about to be a dad. As Brett's disruptive force takes hold, tensions flare and Brett embarks on a drink-fuelled rampage, sweeping his brothers along with him - with terrifying consequences. Twenty-one years ago, audiences were lining the streets to see the original Griffin production of The Boys. Since then, it's become a classic of the Australian stage and screen, winning along its way an AWGIE and four AFI Awards. (2 acts, 3 male, 4 female)

Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love. (1 act, 1 male, 1 musician).