Bøger af Oliver Tostmann

A brand new look at the extraordinary accomplishments of early modern Italian women artists

The self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the scupltor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draughtsman, and he was prolific in his production of works on paper.

This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dali, Joan Miro, Max Ernst, and Andre Masson presents the movement through a new and timely lens--that of war, violence, and exile.