Bøger af John Cowper Powys

THE world divides itself into people who can discriminate and people who cannot discriminate. This is the ultimate test of sensitiveness; and sensitiveness alone separates us and unites us. We all create, or have created for us by the fatality of our temperament, a unique and individual universe. It is only by bringing into light the most secret and subtle elements of this self- contained system of things that we can find out where our lonely orbits touch. Like all primordial aspects of life the situation is double-edged and contradictory.

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

THE ART OF DISCRIMINATION The world divides itself into people who can discriminate and people who cannot discriminate. This is the ultimate test of sensitiveness; and sensitiveness alone separates us and unites us. We all create, or have created for us by the fatality of our temperament, a unique and individual universe. It is only by bringing into light the most secret and subtle elements of this self-contained system of things that we can find out where our lonely orbits touch. Like all primordial aspects of life the situation is double-edged and contradictory. The further we emphasise and drag forth, out of their reluctant twilight, the lurking attractions and antipathies of our destiny, the nearer, at once, and the more obscure, we find ourselves growing, to those about us. And the wisdom of the difficult game we are called upon to play, lies in just this very antinomy, -in just this very contradiction-that to make ourselves better understood we have to emphasise our differences, and to touch the universe of our friend we have to travel away from him, on a curve of free sky. The cultivation of what in us is lonely and unique creates of necessity a perpetual series of shocks and jars. The unruffled nerves of the lower animals become enviable, and we fall into moods of malicious reaction and vindictive recoil. And yet, -for Nature makes use even of what is named evil to pursue her cherished ends-the very betrayal of our outraged feelings produces no unpleasant effect upon the minds of others. They know us better so, and the sense of power in them is delicately gratified by the spectacle of our weakness; even as ours is by the spectacle of theirs. The art of discrimination is the art of letting oneself go, more and more wilfully; letting oneself go along the lines of one's unique predilections; letting oneself go with the resolute push of the inquisitive intellect; the intellect whose rôle it is to register-with just all the preciseness it may-every one of the little discoveries we make on the long road.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Suspended Judgments: Essays On Books And Sensations is a collection of essays written by John Cowper Powys and published in 1916. The book is a reflection on the author's personal experiences and his thoughts on literature, art, and life. The essays are divided into two parts, the first focusing on books and the second on sensations. In the first part, Powys discusses various books and authors, including William Blake, Walt Whitman, and Thomas Hardy. He explores their works in depth and provides his own interpretation and analysis. He also discusses the concept of literary criticism and its limitations. The second part of the book is dedicated to the author's personal experiences and observations of the world around him. He explores the beauty of nature and the power of human emotions. He also delves into the concept of time and its impact on human existence. Overall, Suspended Judgments: Essays On Books And Sensations is a thought-provoking collection of essays that offers a unique perspective on literature and life. Powys' writing is both insightful and poetic, making this book a must-read for anyone interested in literature, philosophy, and the human experience.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Divided in two parts, this book includes: Analysis of Culture which deals with, in separate chapters, Philosophy, Literature, Poetry, Painting and Religion, and Application of Culture which covers Happiness, Love, Nature, The Art of Reading, Human Relations, Destiny, and Obstacles to Culture.

'It is not our struggle to be happy that is mistaken; it is our false idea that we can find happiness anywhere but in ourselves... happiness does not depend on outward things. It is born of the mind, it is nourished by the mind, it is what rises, like breath in a frosty air, from the mind's wrestling with its fate...'The Art of Happiness (first published in 1935) belongs to John Cowper Powys's sequence of philosophical writings, and finds him exploring the problem of how man lives with his fellow man, and also with woman - that is to say, here, as opposed to the abstract arguments concerning Man in the universe, Powys is concerned with the practical arguments such as arise between man and his neighbour, his wife, his lover - and also with man's arguments against himself, all in the pursuit of happiness. The careful reader will find herein hints, clues, intimations, as to how we all might become a little happier - an invitation few of us would feel so fortunate as to refuse.

'I have tried to write my life as if I were confessing to a priest, a philosopher, and a wise old woman. I have tried to write as if I were going to be executed when it was finished. I have tried to write it as if I were both God and Devil.' One is tempted to say only John Cowper Powys could have written that, and, beyond doubt, only John Cowper Powys could have written the idiosyncratic and spellbinding work we have here. Yes, he was influenced by Yeats and Rousseau, especially the latter's Confessions, but there is no other work quite like this. It seems almost too pedestrian to say it covers the first sixty years of his life (he lived for another thirty years) and to say anything about them, as J. B. Priestley memorably put it, 'would be like turning on a tap before introducing people to Niagara Falls.' J. B. Priestley also said 'It is a book which can be read, with pleasure and profit, over and over again. It is in fact one of the greatest autobiographies in the English language. Even if Powys had never written any novels, this one book alone would have proved him to be a writer of genius.'

for while it is easy to indicate the overtones and undertones of Sensuality it would be hard to bring a gentle, vague word, like the word ''sensuousness'' down to the bare, stark, stoically-stripped Life-Sensation which is the subject of this book.How far has the individual the right to be what is called ''selfish''?

First published in 1937, John Cowper Powys originally wanted to call this novel 'Hell'. The main adventures are set in Hell where the narrator, not named but clearly based on Powys himself, his dog, Black Peter, Morwyn, his new love and her father, a vivisector find themselves hurled after a cataclysm on a Welsh mountain-side.

'What I've tried to do in this tale is to invent a group of really mad people who have the fantastic and grotesquely humorous extravagance that, afer all, is an element in life'. So wrote John Cowper Powys himself in his prefatory note to this novel first published in 1952.

Ducdame was John Cowper Powys' fourth novel published in 1925. It is set in Dorset. The protagonist, Rook Ashover (a wonderfully Powysian name) is an introverted young squire with a dilemma: to go on loving his mistress, Netta Page, or, make a respectable marriage and produce an heir.Of his early novels (pre- Wolf Solent) this one is often considered to be the most carefully constructed and best organized. Like them all it contains a gallery of rich, complex characters and glorious writing.

In this panoramic novel of Friar Roger Bacon, John Cowper Powys displays his genius at its most fecund. First published in 1956, this novel, set in thirteenth-century Wessex, is an amalgam of all the qualities that make John Cowper Powys unique. The love-story of Lil-Umbra and Raymond de Laon, and the quest of the Mongolian giant, Peleg, for Ghosta, the girl seen, loved, and lost on the battlefield, are intermingled with the historical, theological and magical threads which form the brocade of this novel. Dominating all is the mysterious creation of Roger Bacon one of the boldest as well as most intricate of Powys' world-changing inventions. Professor G. Wilson Knight called this 'A book of wisdom and wonders'.

Published in 1954, John Cowper Powys called this novel, a 'long romance about Odysseus in his extreme old age, hoisting sail once more from Ithaca'. As usual there is a large cast of human characters but Powys also gives life and speech to inanimates such as a stone pillar, a wooden club,and an olive shoot. The descent to the drowned world of Atlantis towards the end of the novel is memorably described, indeed, Powys himself called it 'the best part of the book'.Many of Powys's themes, such as the benefits of matriarchy, the wickedness of priests and the evils of modern science which condones vivisection are given full rein in this odd but compelling work.

Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however - the author was already in his forties. The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing. Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.