Bøger af Giovanni Morelli

This book is a detailed study of Italian art in the collections of some of Germany's most important galleries. Morelli's critical approach to connoisseurship and attribution has been highly influential, and this volume is an excellent example of his method. By carefully analyzing the style and technique of each painting, Morelli is able to distinguish the genuine works of Italian masters from the many copies and fakes that were circulating in the art market of his time. His insights are still highly relevant to scholars and enthusiasts of Italian art today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In diesem Buch stellt Giovanni Morelli seine kunstkritischen Studien über italienische Malerei vor. Er konzentriert sich dabei besonders auf die Sammlungen der Galerien Borghese und Doria Pamphilj in Rom und analysiert die Werke von Künstlern wie Raffael, Caravaggio und Tizian. Eine grundlegende Lektüre für jeden, der sich mit italienischer Kunstgeschichte beschäftigt.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Giovanni Morelli's classic study of Italian painting remains a must-read for art historians and enthusiasts alike. Morelli's method of connoisseurship, which relies on close examination of individual paintings to determine authorship, has had a lasting impact on the study of art history. This book includes detailed analyses of works by major Italian painters, from Giotto to Titian. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kunstkritische Studien uber Italienische Malerei: Die Galerien Zu Munchen Und Dresden; Volume 2 Of Kunstkritische Studien uber Italienische Malerei; Gustavo Frizzoni Giovanni Morelli Gustavo Frizzoni F. A. Brockhaus, 1891 Art; European; Art / European; Painting; Painting, Italian

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Italian Painters, critical studies of their works; - The Borghese and Doria-Pamfili Galleries in Rome; translated from the German is an unchanged, high-quality reprint of the original edition of 1892.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Den Freunden des verstorbenen Senators Giovanni Morelli ist es bekannt, dass er nach der Herausgabe der zwei ersten Teile seiner ¿Kunstkritischen Studien über italienische Malerei" den dritten vorzubereiten im Begriffe war, als er von dem Herzleiden befallen wurde, dem er am 28. Februar 1891 unterliegen musste. Kurz vorher hatte er sich über diese Arbeit in dem Sinne geäussert, als wäre sie schon so weit vollendet, dass sie fast druckfähig sei. Sicherlich war seinem durchgreifenden Geiste der ganze darzustellende Stoff so gegenwärtig, dass er ihn schon so gut wie vollständig vor sich ausgebreitet zu sehen glaubte.Das Erscheinen dieses dritten Teiles von Morelli's Werk war übrigens an und für sich schon durch die Tatsache gerechtfertigt, dass sein bereits 1880 erschienenes Buch: ¿Die Werke der italienischen Meister in den Galerien von München, Dresden und Berlin", längst vergriffen war." [...]Der italienische Kunsthistoriker Giovanni Morelli (Pseudonym: Ivan Lermolieff) beschreibt in seinem Werk kunstkritische Studien über italienische Malerei unter besonderer Berücksichtigung der Galerie zu Berlin. Illustriert mit über 60 historischen Abbildungen.Dieses Buch ist ein unveränderter Nachdruck der Originalausgabe von 1893.

"Vorliegendes Buch beschäftigt sich wesentlich mit zwei römischen Galerien sowie mit Gemälden, die sich in Italien befinden, und darf somit als ein für sich bestehendes, selbständiges Werk betrachtet werden.Es erübrigt mir noch über die von mir getroffene Auswahl der diesem Büchlein beigefügten Abbildungen ein Wort zu sagen. Manchem meiner Leser wird vielleicht die Anzahl derselben zu gering, andern dagegen zu gross erscheinen. Es war allerdings für mich eine nicht leichte Aufgabe, auch in dieser Beziehung die richtigen Grenzen zu wahren, welche einem Buche dieser Art gesetzt sein dürften. Bei der Auswahl solcher Illustrationen konnte ich, wie sich von selbst versteht, nur von dem Gedanken geleitet sein, dem Leser das Verständnis des Textes, soviel als dies eben möglich ist, dadurch zu erleichtern. Ich habe mich jedoch nur an das gehalten, was mir als das allernotwendigste erschien, in der Voraussetzung, dass diejenigen, welche die Lust in sich fühlen, mit dem Studium der Formen sich ernstlicher zu befassen, notwendigerweise diese an den Originalwerken selbst beobachten und studieren werden, und zu diesem Zwecke glaube ich ihnen eine genügende Anzahl von Bildern vorgeführt zu haben." [...]Der italienische Kunsthistoriker Giovanni Morelli (Pseudonym: Ivan Lermolieff) beschreibt in seinem Werk kunstkritische Studien über italienische Malerei unter besonderer Berücksichtigung der Galerien Borghese und Doria Panfili in Rom. Illustriert mit über 60 historischen Abbildungen.Dieses Buch ist ein unveränderter Nachdruck der Originalausgabe von 1890.