Bøger af Eric S. Christianson

Using a variety of approaches from art criticism to structuralist analysis, this book draws out largely neglected narrative elements of Qoheleth''s text, including the strategies of framing, autobiography and the ''use'' of Solomon. In locating the self as the central concern of this narrative, Christianson shows that although Qoheleth passionately observes the world''s transience, he desires that his own image be fixed and remembered. His story is thereby concerned with identity and the formation of character. In the guise of Solomon that concern is almost satirical and somewhat playful. Through the strategy of the frame narrative the complex relations of all such elements are brought into question, particularly the reader''s relation to the framed material, as well as the relation of the framer to the one framed.

To what degree does violent rhetoric shape belief and values? How might we understand the social function of violence in popular discourses? What is the significance of violence being associated with particular religious groups or ideas in the media? This collection of essays arose from an international conference investigating those questions.