Felix Holt, the radical. By
- George Eliot (Volume 3), in three volume: Social novel
- Indbinding:
- Paperback
- Sideantal:
- 94
- Udgivet:
- 6. februar 2017
- Størrelse:
- 203x254x5 mm.
- Vægt:
- 204 g.
- 8-11 hverdage.
- 6. december 2024
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Felix Holt, the radical. By
Felix Holt, the Radical (1866) is a social novel written by George Eliot about political disputes in a small English town at the time of the First Reform Act of 1832. In January 1868, Eliot penned an article entitled "Address to Working Men, by Felix Holt". This came on the heels of the Second Reform Act of 1867 which expanded the right to vote beyond the landed classes and was written in the character of, and signed by, Felix Holt. Plot: As the story starts, the reader is introduced to the fictitious community of Treby in the English Midlands in 1832, around the time of the First Reform Act. Harold Transome, a local landowner, has returned home after a fifteen-year trading career in the Far East. Wealthy from trade, he stands for election to Parliament from the county seat of North Loamshire. But contrary to his family's Tory traditions, he intends to stand as a Radical. This alienates him from his traditional allies and causes despair for his mother, Mrs. Transome. Harold Transome gains the support of his Tory uncle, the Rector of Little Treby, and enlists the help of his family lawyer, Matthew Jermyn, as an electioneering agent. Much of his electioneering is focused in Treby Magna. In this village resides Felix Holt, who has recently returned from extensive travels in Glasgow to live with his mother. He meets with Rev. Rufus Lyon, a Dissenting minister in Treby Magna, and his stepdaughter, Esther. Felix and Mr. Lyon become ready friends, but he appears to treat Esther with condescension. Felix and Rev. Lyon both appear aligned to the Radical cause. Harold Transome learns that Jermyn has been mismanaging the Transome estate and embezzling money for himself. Transome remains silent during the election, yet Jermyn tries to devise a plan to save himself from future prosecution. Meanwhile, Felix witnesses some electioneering for the Radical cause in the nearby mining town of Sproxton. He is upset with the 'treating' of workers with beer in exchange for their vocal support. Felix relays his concerns to Harold Transome, who chastises John Johnson for his electioneering methods. However, Jermyn convinces Transome not to interfere. Rev. Lyon learns from Maurice Christian, servant of Philip Debarry, about the possible identity of Esther's biological father. Rev. Lyon decides to tell Esther the truth about her father. Esther's outlook on life changes upon finding that she is in fact Rev. Lyon's stepdaughter. Her relationship with her stepfather deepens, while she also desires to emulate the high moral standards impressed upon her by Felix Holt. Seeing the change in Esther's character, Felix Holt begins to fall in love with her. However, both share the feeling that they are destined never to marry each other. Meanwhile, Rev. Lyon challenges Rev. Augustus Debarry to a theological debate. The debate is initially agreed to, but is cancelled at the last minute.... Frank Thayer Merrill (1848-1936). Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively "Mary Ann" or "Marian"), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Felix Holt, the Radical (1866), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. She used a male pen name, she said, to ensure that her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women writing only lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic.
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